Director: Rachel Maclean

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Born in: Edinburgh, Scotland, UK
Biography: Rachel Maclean is a multi-media artist born in 1987 in Edinburgh. Using film and photography, she creates outlandish characters and fantasy worlds which she uses to delve into politics, society and identity. Wearing colourful costumes and make-up, Maclean takes on every role in her films herself. She uses computer technology to generate her locations, and borrows audio from television and cinema to construct narratives with a comedic touch. Maclean lives and works in Glasgow.

Known for

Feed Me

Feed Me is a larger than life fairy tale, part TV talent show, part thriller, video game in which Maclean plays all the parts
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Feed+Me
Make Me Up

Siri wakes to find herself trapped inside a brutalist candy-coloured dreamhouse. Despite the cutesy decor, the place is far from benign, and she and her inmates are encouraged to compete for survival while being watched over by surveillance cameras, 24/7. Presiding over the group is an authoritarian diva who speaks entirely with the voice of Kenneth Clark from the 1960s BBC series Civilisation. As she forces the women to go head-to-head in a series of demeaning tasks, Siri, with the help of fellow inmate Alexa, starts subverting the rules and soon reveals the sinister truth that underpins their world.
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6.3
Make+Me+Up
Make Me Up

2018

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The Weepers

'The Weepers' is a 30-minute short film that playfully explores Scotland's relationship with the Gothic horror genre. Drawing on a variety of cultural reference points, including Scottish myth, haunted house movies and Doctor Johnson’s trip to the Hebrides, the film is a surreal exploration of Highland culture post-Clearances, where the number of sheep has gradually exceeded that of the human population.
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The+Weepers
The Weepers

2014

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Spite Your Face

Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?
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10.0
Spite+Your+Face
Spite Your Face

2017

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