Director: Kim Se-yeon
Known for
Welcome
One day, Hye-sook is tricked by her mother into visiting her hometown. When she finds out that her mother is fine and tries to leave for Seoul, she hears about the passing of Taek-gyu's father. After the funeral, Hye-sook plans to return to the city. Gi-ju, a struggling writer, tries to drown himself at Andong lake but Taek-gyu saves him. Hye-sook used to draw for Gi-ju's writings when they were young. The two were each other's first love and through the reunion, they are about to rekindle their old romance.
One day, Hye-sook is tricked by her mother into visiting her hometown. When she finds out that her mother is fine and tries to leave for Seoul, she hears about the passing of Taek-gyu's father. After the funeral, Hye-sook plans to return to the city. Gi-ju, a struggling writer, tries to drown himself at Andong lake but Taek-gyu saves him. Hye-sook used to draw for Gi-ju's writings when they were young. The two were each other's first love and through the reunion, they are about to rekindle their old romance.
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Half
Working at a transgender bar, Min-a is a female with male genitals. When her colleague is assaulted by a male customer, she steps in to help, only to accidentally kill the assaulter. At the court, Min-a insists that she had no choice ? she had to protect her colleague - but the situation is not favorable to her. Taking advantage of her sexual identity, the prosecutor drives the case as if the murder were a result out of jealousy, and Min-a’s own lawyer does not pay attention to her situation. Not until Min-a is placed in a men’s jail and is seized with terror do the human rights issues for transgender people emerge. Min-a is finally transferred to a prison for females, but still she suffers from misunderstanding. Presenting the transgender human rights issues as a court drama, this film tries to correct the myriad misunderstandings toward transgender people.
Working at a transgender bar, Min-a is a female with male genitals. When her colleague is assaulted by a male customer, she steps in to help, only to accidentally kill the assaulter. At the court, Min-a insists that she had no choice ? she had to protect her colleague - but the situation is not favorable to her. Taking advantage of her sexual identity, the prosecutor drives the case as if the murder were a result out of jealousy, and Min-a’s own lawyer does not pay attention to her situation. Not until Min-a is placed in a men’s jail and is seized with terror do the human rights issues for transgender people emerge. Min-a is finally transferred to a prison for females, but still she suffers from misunderstanding. Presenting the transgender human rights issues as a court drama, this film tries to correct the myriad misunderstandings toward transgender people.
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5.0
