Director: Beto Brant

Persona non grata

José Nunes and Maxime Charasse are friends and minority partners in a struggling construction company. Faced with the need to protect their interests, they make a radical decision and find themselves bound by a dark secret.

The Trespasser

Two businessmen hire a hitman to kill their third partner and are then blackmailed by the hitman as he takes over their company.

Delicate Crime

Antônio Martins, respected theatrical critic, is a very rational man. But a chance meeting with young Inês, a nude painting model, is going to rock him. Inês keeps a relationship with painter José Torres Campana, an older man with a deep influence over her. Antônio gets jealous, and the three become characters of a drama saturated with desire and danger.

Blue Blood

When the Netuno Circus returns to Fernando de Noronha, it brings back a young man with a turbulent past. Pedro is now Zolah, the human cannonball. When secrets surface, bizarre family reunions rival the circus performances.

I'd Receive the Worst News from Your Beautiful Lips

In a remote part of the Amazon, a traveling photographer has an intense affair with a preacher's wife, but secrets from her past threaten to ruin them both.

Pitanga

This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. His career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. "Pitanga" deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.

Glauber, Claro

A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.