Director: Robert G. Vignola

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Birthday: 1882-08-05
Born in: Trivignano, Veneto, Italy
Biography: From Wikipedia, the free encyclopedia Robert G. Vignola (born Rocco Giuseppe Vignola, August 5, 1882 – October 25, 1953) was an Italian-born American actor, screenwriter and film director in American cinema. One of the silent screen's most prolific directors, he made a handful of sound films in the early years of talkies but his career essentially ended in the silent era. Born at Trivigno, in the province of Potenza, Vignola left Italy with his family at the age of 3 and was raised in upstate New York. He made his acting debut at 19 performing in "Romeo and Juliet", with Eleanor Robson Belmont and Kyrle Bellew. He began his film career as an actor in 1906 with the short film The Black Hand, directed by Wallace McCutcheon and produced by Biograph Company, generally considered the film that launched the mafia genre. In 1907 he joined Kalem Studios, for which he made numerous movies. One of Vignola's most notable film roles was as Judas Iscariot in From the Manger to the Cross (1912), directed by Sidney Olcott, one of the most successful films of the period. Vignola directed 87 films, most notably The Vampire (1913), sometimes cited as the first "vamp" movie, and Seventeen (1916), where Rudolph Valentino did an uncredited cameo. He had a long association directing the early movies of Pauline Frederick such as Audrey (1916) and Double Crossed (1917). His biggest success was the big-budget epic When Knighthood Was in Flower (1922), starring Marion Davies, which achieved critical and commercial acclaim. Other films include Déclassée (1925), with the uncredited appearance of the then unknown Clark Gable; Broken Dreams (1933), which received a nomination for Best Foreign Film at the Venice Film Festival, and The Scarlet Letter (1934), the last film of Colleen Moore. Vignola died in Hollywood, California in 1953. He lived in a mansion at Whitley Heights owned by William Randolph Hearst. Hearst's mistress Marion Davies was allowed to stay without him at Vignola's mansion, worried that she was having affairs and considering Vignola a trusted companion for her as he was homosexual. He was buried in St. Agnes Cemetery, Menands, New York.

Known for

The Scarlet Letter

In the seventeenth century, in Massachusetts, a young woman is forced to wear a scarlet "A" on her dress for bearing a child out of wedlock.
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The Scarlet Letter

1934

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The Knife

Kate Tarleton grows up on a Southern plantation and becomes engaged to her guardian, Dr. Robert Manning, a famous surgeon. When Robert, Kate, and her younger sister Mary Lou visit New York, where the doctor wishes to conduct medical experiments, the superstitious Kate goes to the home of a fortune-teller named Stella Hill. Stella, whose principal business is white slave trafficking, drugs Kate and forces her to work in a "den of vice," run by Stella and her accomplice Jimmy Bristol, where she contracts syphilis and goes insane. Robert, Detective Ellis, and a lawyer named Billy Meredith rescue Kate, who recovers her sanity but remembers nothing of her bondage.
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The Young Diana

Mr. May wants his daughter Diana to marry into society. The man he wishes her to wed is a scientist, Dr. Dimitrius, but Diana is in love with an officer, Commander Cleeve.
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The Young Diana

1922

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Déclassé

The last of the impetuous Varicks, Lady Helen Haden is married to Sir Bruce Haden, a brute who treats her shamefully. She falls in love with Ned Thayer, a young American, but refuses to divorce her husband because of the attendant scandal and disgrace. Sir Bruce gains possession of a love letter written to Ned by Lady Helen and divorces her. Ned goes to Africa, and Lady Helen comes to the United States, where she encounters Rudolph Solomon, an art collector who wants her to become his mistress. The noblewoman at first refuses, but when her money runs out, she agrees to the proposal and attends a party at his home. Ned, who has learned of the divorce, comes looking for Helen and meets her at Solomon's party. Lady Helen is so humiliated and ashamed that she rushes from the house and throws herself in front of an automobile.
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Déclassé

1925

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Adam and Eva

An extravagant girl reforms when her father goes bust.
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Adam and Eva

1923

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Experimental Marriage

Suzanne Ercoll, a young widow who believes in women's suffrage. When the handsome Foxcroft Grey proposes marriage, Suzanne isn't sure she wants to give up her freedom, so she strikes a deal: From Saturday to Monday they will be husband and wife, but the rest of the week, she is single.
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Experimental Marriage

1919

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Beauty's Worth

Prudence Cole is an unsophisticated Quaker girl being raised by her two aunts. Prudence is flirted with by snobbish Henry Garrison, who actually disdains the girl for her lack of worldliness and savoir faire. When Henry and his friends try to embarrass her at a posh resort, Prudence turns the tables on them.
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Beauty's Worth

1922

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The Perfect Clue

Mona Stewart, madcap, spoiled daughter of a wealthy man, becomes upset when she learns that her father is engaged to a woman she hates. She runs away, via various modes of transportation, and hires an ex-con, David Mannering, to drive her around as she eludes the all-out search conducted by her father and her fiancée, Ronnie Van Zandt. A romance is blossoming until her chauffeur is arrested for the murder of a crime-syndicate boss.
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The Perfect Clue

1935

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When Knighthood Was in Flower

Mary Tudor falls in love with a new arrival to court, Charles Brandon. She convinces her brother King Henry VIII to make him his Captain of the Guard. Meanwhile, Henry is determined to marry her off to the aging King Louis XII of France as part of a peace agreement.
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When Knighthood Was in Flower

1922

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Yolanda

The backdrop is fifteenth century France, and Charles, Duke of Burgundy has promised his daughter, Princess Mary, that she can marry the man she loves, Prince Maximilian of Styria. But when the Swiss threaten war, the duke is compelled to take back his word and he arranges for Mary to wed the half-witted dauphin of France's King Louis XI .
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