Director: Harrison Atkins

Emily the Criminal

Desperate for income, Emily takes a shady gig buying goods with stolen credit cards supplied by a charismatic middleman named Youcef. Seduced by the quick cash and illicit thrills, they hatch a plan to take their business to the next level.

Win It All

A gambling addict faces a conflict when entrusted with keeping a bunch of money that isn't his.

Madeline's Madeline

Madeline has become an integral part of a prestigious physical theater troupe. When the workshop's ambitious director pushes the teenager to weave her rich interior world and troubled history with her mother into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation rips out of the rehearsal space and through all three women's lives.

The Year Between

Inspired by true events, college sophomore Clemence Miller is coming home to the suburbs and a bedroom in her family's basement. After dropping out of school with a newly diagnosed mental illness, she now faces the challenges of bipolar disorder, the responsibilities of adulthood, and her damaged relationships with family and friends. Clemence struggles to figure out what it means to heal without driving everyone around her… well, crazy. As if reckoning with everything and everyone she has taken for granted wasn’t enough, Clemence has to wrestle with the thought that on top of it all, she might also just have a really bad personality.

Lace Crater

Opting to sleep in the allegedly-haunted guest house while spending a weekend in the Hamptons with friends, Ruth, a lonely young woman in her mid-twenties who's had too much to drink, strikes up a conversation that leads to a sexual encounter with Michael, a burlap-draped ghost that casually appears before her. Through this inter-paranormal relation, Ruth contracts an STD with alarming effects.

Mustache

It’s the mid-90’s in Northern California and 13-year-old Pakistani-American ILYAS is facing a major crisis — his parents yanked him out of his comfortable Islamic private school and now he has to face life at public school. Ilyas’ fears about joining public school are made worse by insecurities due to his inescapable, prepubescent MUSTACHE. Ilyas hatches a hilarious plan to return to his old school — but he must also learn to accept himself.