Director: Chico Colvard
Known for
On These Grounds
An explosive viral video shows a white policeman throwing a Black teenager from her school desk. One woman uproots her life to help the girl, face the officer, and dismantle the system behind the “Assault at Spring Valley.”
An explosive viral video shows a white policeman throwing a Black teenager from her school desk. One woman uproots her life to help the girl, face the officer, and dismantle the system behind the “Assault at Spring Valley.”
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Black Memorabilia
Filmmaker Chico Colvard investigates the propagation of demeaning representations of African-Americans. From industrial China to the rural American south to contemporary Brooklyn, we observe the people and places that reproduce, consume and reclaim BLACK MEMORABILIA. This feature documentary takes us on a journey into the material culture of racialized artifacts and confronts us with the incendiary features of these objects. BLACK MEMORABILIA also moves beyond perverse attractions and absolute objections to collectibles and antiques that serve as reminders of America's troubled racial history. In the midst of roiling ethnic unrest in the US today, the film's confrontation of our feelings about these objects strikes at the heart of a pressing contemporary issue and opens a unique dialogue about the continuing legacy of racism in America.
Filmmaker Chico Colvard investigates the propagation of demeaning representations of African-Americans. From industrial China to the rural American south to contemporary Brooklyn, we observe the people and places that reproduce, consume and reclaim BLACK MEMORABILIA. This feature documentary takes us on a journey into the material culture of racialized artifacts and confronts us with the incendiary features of these objects. BLACK MEMORABILIA also moves beyond perverse attractions and absolute objections to collectibles and antiques that serve as reminders of America's troubled racial history. In the midst of roiling ethnic unrest in the US today, the film's confrontation of our feelings about these objects strikes at the heart of a pressing contemporary issue and opens a unique dialogue about the continuing legacy of racism in America.
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