Director: Kelvin Tong

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Birthday: 1972-01-01
Born in: Singapore
Biography: Known for his range and ability to traverse both mainstream movies and art-house cinema, Kelvin Tong embarked on his filmmaking journey in 1995 with Moveable Feast. The quirky short, co-directed with Jasmine Ng and Sandi Tan, about one man’s obsession with the rituals of eating, garnered a Special Mention at the 1996 Clermont-Ferrand Film Festival as well as the Best Short Film Award at the 1995 Singapore International Film Festival Silver Screen Awards. Moveable Feast was the first piece of Singapore cinema to be showcased at the Museum Of Modern Art in New York. Kelvin Tong made his feature debut alongside co-director Jasmine Ng in 1999 with Eating Air, which represented Singapore extensively in numerous international film festivals. Kelvin Tong’s second feature – The Maid – was an atmospheric horror film based on the rituals and superstitions of the Chinese in Singapore. It broke box office records in Singapore and won the Asian Award at the 2006 European Fantastic Film Festivals Federation. In 2006, Kelvin Tong received Singapore’s highest national artistic award for youth – the Young Artist Award. Following The Maid, Kelvin Tong’s career took on a regional dimension. His third feature, Love Story (2006) was produced by Hong Kong screen legend Andy Lau. It took the Best Director Award at the 2006 Singapore International Film Festival and was chosen as the closing film at the 2006 Locarno International Film Festival. Kelvin Tong’s fourth feature – Rule #1 (2007) was a supernatural noir thriller shot in Hongkong. Returning to Singapore, Kelvin Tong made the thriller Kidnapper in 2009 and It’s A Great Great World in 2010.

Known for

The Offering

When young and successful reporter Jamie finds out that her sister has died in mysterious circumstances, she travels to Singapore to uncover the truth. There, she discovers multiple deaths linked to her sister's and must join forces with her sister's husband in order to defeat a demonic entity that is using new technology to complete an ancient mission.
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5.3
The+Offering
The Offering

2016

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The Maid

Alone for the first time and away from her family in rural Philippines, Rosa Dimaano arrives in the cosmopolitan city state of Singapore to work as a maid. Her employers Mr and Mrs Teo runs a Chinese Teochew dialect opera troupe takes well to their new domestic help. So do their mentally disabled son, Ah Soon. In Chinese superstition, the seventh month of the lunar calendar is regarded as the month when the gates of hell open for forsaken spirits to walk the earth for 30 days. Unknown to Rosa, she arrives on the eve and her hell is about to begin.
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5.7
The+Maid
Kidnapper

When taxi driver Ah Huat's son is kidnapped, he resorts to extreme measures to raise the $1,000,000 ransom. But when the kidnapper reneges on the exchange, Ah Huat takes the most extreme measure of all: he kidnaps the kidnapper's child.
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6.7
Kidnapper
Rule Number One

Rookie Sergeant Lee is injured in a shoot-out and is assigned to the dubious-sounding Miscellaneous Affairs Department (MAD). There, he is paired up with Inspector Wong, a jaded and alcoholic veteran who explains that MAD’s role is to answer supernatural calls. Wong explains MAD’s rule number one - there are no ghosts. For every seemingly inexplicable phenomenon, there is a corresponding scientific and rational explanation.
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6.1
Rule+Number+One
Rule Number One

2008

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Eating Air

A romance between two opposites, Eating Air follows the lives of two teenagers during the hottest month in the history of Singapore. For Boy, breaking into bridal shops under the moonlight is as wildly exciting as Girl on her first motorcycle spin through the binding fluorescent tunnels of the CTE. About the joys and pangs of teenage love, Eating Air seeks the delirious madness that makes 18-year-olds invincible to low fuels, fists and oil-puddles on the road.
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6.6
Eating+Air
Eating Air

1999

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