Director: Talal Derki

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Birthday: 1977-07-24
Born in: Damascus, Syria
Biography: Talal Derki (Arabic: طلال ديركي ; born 24 July 1977 in Damascus, Syria of Kurdish descent) is a director, producer and screenwriter. Talal Derki studied film directing in Athens at Stavrako High Institute of Cinematographic Art and Television, graduation in 2003. He worked as an assistant director for feature film productions and was a director for different Arab TV programs & TV films between 2009 and 2012. He worked as a freelance cameraman for CNN and Thomson Reuters. Talal Derki’s short films and documentaries received awards at a variety of festivals. His feature documentary RETURN TO HOMS has won the Sundance Film Festival’s World Cinema Grand Jury Prize. In 2014 he was a member of the international Jury at IDFA. Talal Derki lives now in Exile in Berlin, Germany. From Wikipedia, the free encyclopedia

Known for

Of Fathers and Sons

Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate.
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7.0
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Of Fathers and Sons

2017

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Hollywoodgate

Immediately after the US pullout from Afghanistan, Taliban forces occupied the Hollywood Gate complex, which is claimed to be a former CIA base in Kabul.
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Hollywoodgate
Hollywoodgate

2024

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Under the Sky of Damascus

Experiencing violence is commonplace for Syrian women but they do not discuss the prevalence of – often sexual – exploitation for fear of revenge. A collective of young women want to break the taboo with a theatre project. But how free are they themselves?
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Under the Sky of Damascus

2023

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People of the Wasteland

People of the Wasteland is an experimental short-film, in a first-person point of view, depicting the clashes of Syrian fighters in the front line. In the chaos of war, the lines between right and wrong become blurred. This exclusive Go-Pro footage from inside war aims to remind us that in a territory where the landscape and the people are ephemeral because of war, only the camera can remain alive, and only the image of a certain moment can remain eternal.
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6.0
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People of the Wasteland

2018

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