Director: Nelson Pereira dos Santos

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Birthday: 1928-10-22
Born in: São Paulo, Brazil
Biography: ​Nelson Pereira dos Santos was a Brazilian film director. He directed films such as Vidas Secas (Barren Lives), based on the book with the same name by Brazilian writer Graciliano Ramos. He also directed Rio 40° (his first feature film) which was released in 1955. The film is a chronicle of life in the favelas of Rio de Janeiro, and it influenced several other directors, spurring the Cinema Novo moment. His most well-known film outside of Brazil is Como Era Gostoso o Meu Francês (How Tasty Was My Little Frenchman, 1971). It was entered into the 21st Berlin International Film Festival. The film takes place in the sixteenth century and details the alleged cannibalistic practices of the (now extinct) indigenous Tupinamba warrior tribe against the French and Portuguese colonizers of the Brazilian littoral. The film is something of a black comedy about European colonialism, one that makes satirical use of the Brazilian modernist trope of antropofagia (cultural cannibalism), then recently revived by the Tropicalismo movement of the 1960s, as well as a bitter commentary on the historical genocide of the indigenous tribes in Latin America and the gradual destruction of their civilization. Santos was a member of the Brazilian Academy of Letters from 2006 up to his death, result of multiple organ failure, on 12 April 2018.

Known for

Barren Lives

In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.
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Barren Lives

1963

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Go Ahead, Brazil!

Mid-1970s. When the military regime's "economic miracle" and the victory of the Brazilian football team on the World Cup serve as a distraction for the persecution of opposition leaders by the political police of the dictatorship. Under this context, Jofre Godoi da Fonseca, an alienated middle-class man, is mistaken for Sarmento, a political activist he met at an airport prior to his assassination. He is then arrested for being "subversive".
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Go Ahead, Brazil!

1982

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Barravento

In Bahia, an educated black man returns to his home fishing village to try and free people from mysticism, in particular the Candomblé religion, which he considers a factor of political and social oppression, with tragic outcome.
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7.0
Barravento
Barravento

1962

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How Tasty Was My Little Frenchman

Brazil, 1594. The Tupinambás natives are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman is captured by the Tupinambás, and in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe.
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How Tasty Was My Little Frenchman

1971

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Music According to Tom Jobim

Half a century ago, Brazilian composer and musician Antonio Carlos "Tom" Jobim (1927-1994) introduced bossa nova to a worldwide audience with "The Girl from Ipanema." This relaxed, cool, sensuous music blended jazz and samba. After recording an album of songs by his friend Jobim, Frank Sinatra is reported to have said, "I haven't sung so quietly since I had laryngitis." Naturally, "The Girl from Ipanema" and Frank Sinatra are featured in this musical collage of countless seamlessly edited excerpts of concert footage that cover decades of events all over the world: from Rio de Janeiro to Lisbon, Paris, Copenhagen, Jerusalem, Tokyo, Montreal, New York and back to Rio.
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Music According to Tom Jobim

2012

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Rio, 100 Degrees F.

On a scorching summer day in Rio de Janeiro, five impoverished black boys venture out of their favela to peddle peanuts throughout the bustling city. As they navigate the various districts of Rio, they bear witness to a series of unfortunate events and encounters, unfolding a vivid tapestry of urban life in Rio de Janeiro during that period. These true misadventures shed light on the gritty reality of the city, unveiling its vibrant urban tapestry.
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Rio, 100 Degrees F.

1955

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Memories of Prison

In the 1930s, novelist and politician Graciliano Ramos is accused of being a communist sympathizer. He is then arrested and sent to the Ilha Grande prison, where he experiences the disturbing treatment reserved for common prisoners.
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Memories of Prison

1984

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