Director: Eugene Kotlyarenko

Spree

Desperate for an online following, a rideshare driver has figured out a deadly plan to go viral and he will stop at nothing to get his five minutes of fame.

Rotting in the Sun

A filmmaker facing an existential crisis goes on a vacation to a Mexican gay nudist beach, where he meets a social media celebrity who convinces him to collaborate with him on his new TV show. But one disappears and another embarks on a wild journey through Mexico City to find him.

How to Blow Up a Pipeline

A crew of young environmental activists execute a daring mission to sabotage an oil pipeline.

The Scary of Sixty-First

Two roommates’ lives are upended after finding out that their new Manhattan apartment harbors a dark secret.

El Planeta

Amidst the devastation of post-crisis Spain, mother and daughter bluff and grift to keep up the lifestyle they think they deserve, bonding over common tragedy and an impending eviction.

Harka

Ali is a young Tunisian who dreams of a better life and ekes out a lonely existence selling contraband oil on the black market. When his father dies, he is forced to care for his two younger sisters who have been left to their own devices in a house from which they will soon be evicted. As he wrestles with the sudden weight of responsibility and the injustices he faces, anger and indignation stir within Ali – that of a generation still fighting to be heard more than a decade after the revolution…

Wobble Palace

A couple on the verge of a nervous break-up decide to split their home over the weekend and test the waters of independence.

0s & 1s

Los Angeles, 2006. Life is Easy 2.0 for James Pongo. He has a cushy job, a busy social life and an alluring love interest all through the click of a mouse. But when he wakes up after a night of reckless partying to discover that his computer is missing, James' hyper-connected reality takes a nosedive. Told entirely through the websites, programs, games and social networks, 0s & 1s uses James Pongo's nihilistic adventure to question our growing dependency on these alternate digital realities.