Director: Ali Cherri

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Biography: Ali Cherri (b. Beirut, Lebanon) is a  filmmaker and visual artist based in Paris. He received a Bachelor of Graphic Design at the American University of Beirut and a Master of Performing Arts from DasArts – Academy of Theatre and Dance, Amsterdam. Cherri is the recipient of Harvard University’s Robert E. Fulton Fellowship (2016). His work has featured in prominent exhibitions including If you prick us do we not bleed? at The National Gallery, London, The Milk of Dreams The 59th International Art Exhibition of La Biennale Venice, Minds Rising, Spirits Tuning, 13th Gwangju Biennale, South Korea (2020); The Gatekeepers at the Musée des Beaux-Arts de Marseille – Manifesta 13, France (2020); Comme un parfum d’aventure at the Musée d’art Contemporain de Lyon, France (2020); Phantom Limb at Jameel Arts Centre, Dubai, UAE (2019); But a Storm is Blowing from Paradise at the Solomon R. Guggenheim Museum, New York, and at Galleria d’Arte Moderna, Milan (2018); Statues Also Die at Museo Egizio, Milan (2018); and Somniculus at Jeu de Paume, Paris and CAPC Musée d’Art Contemporain, Bordeaux (2017). His films have been shown in International Film Festivals including New Directors/New Films MoMA NY; Cinéma du Réel, Centre Pompidou; CPH:DOX (winner of NewVision Award); Dubai International Film Festival (winner Best Director); VideoBrasil (Southern Panorama Award); Berlinale; Toronto International Film Festival & San Francisco International Film Festival amongst other.

Known for

The Watchman

Halil spends his nights in a watchtower waiting for an enemy that doesn’t arrive, until suddenly strange lights appear on the horizon. Ali Cherri creates a universe in which a suspended and void time opens the door to ghostly presences from a past made of war. Shot with an extreme and detailed precision of vision and sound, The Watchman is an urgent film that deconstructs the myth of duty, laying bare the absurdity of the omnipresent war rhetoric.
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The Watchman

2024

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The Dam

Merowe Dam in North Sudan. Maher works in a traditional brickyard fed by the waters of the Nile. Every evening, he secretly wanders off into the desert to erect a mysterious construction made of mud. Despite a disturbing wound in his lower back that seems to be eating away at his skin, he continues his labor day after day. While the Sudanese people rise to claim their freedom, his mud creation starts slowly to take a life of its own.
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6.3
The+Dam