Director: Anucha Boonyawatana

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Birthday: 1981-05-04
Born in: Nakhon Pathom, Thailand
Biography: Anucha Boonyawatana (Thai: อนุชา บุญยวรรธนะ) is a Thai independent filmmaker. Her thesis film, Down the River, won the Young Thai Artist Award and has been shown at several film festivals. Her first feature film, The Blue Hour, premiered at Berlinale Panorama in 2015. In 2017, she won the Best Director award at the Singapore International Film Festival for her second feature film Malila: The Farewell Flower.

Known for

The Blue Hour

Tam, a bullied loner, finds solace in the arms of Phum, a boy he meets at a haunted swimming pool. Phum reveals that his family's land has been stolen and the new found lovers imagine a perfect life together on the disputed land. Haunted by a ghostly presence, Tam struggles to stay connected to reality.
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6.4
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The Blue Hour

2015

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Malila: The Farewell Flower

Pich and Shane, who once were lovers, are trying to heal the pain of their lives by reviving their old romance through the making the traditional Thai ornament made of the leaves and flowers that symbolize love and virtue. When Shane finds out that Pich is dying, he decides to become a monk.
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5.4
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Malila: The Farewell Flower

2017

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Down the River

Krit is openly gay, but his closest friend, Win, is questioning. As they grow older, their love is tested when the two finally explore their passion. Down the River is a daring exploration of friendship and intimacy.
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4.7
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Down the River

2004

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Not a Time to Celebrate

A young filmmaker has just unsatisfyingly captured the last shot for her film. While the crew encourages her to celebrate, she fears that the battle has just begun. Thankfully, she knows that worrying is never the answer. Instead, she turns to a traditional, evil-warding, garland-scattering ritual to direct all misfortune away from her film.
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Not a Time to Celebrate

2019

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Erotic Fragments No. 1, 2, 3

Three is the rule. The film has three parts. Each part has three shots and each shot is thirty seconds in length. Three characters share their erotic desires from the point of view of a third class citizen in contemporary Thai society.
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Erotic Fragments No. 1, 2, 3

2012

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