Director: Kirsten Johnson

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Birthday: 1965-10-12
Born in: Seattle, Washington, USA
Biography: Kirsten Johnson (born 12 October 1965, Seattle) is a cinematographer and documentary filmmaker. She graduated from Brown University in 1987, with a BA in Fine Arts and Literature. After two years in West Africa working on local fiction and documentary film projects, she attended the FEMIS (the French National Film School) in Paris. Her film "Cameraperson" premiered at Sundance 2016 and her short "The Above" premiered at 2015 New York Film Festival. Her work as a cinematographer appears in Oscar-winning "Citizen Four," Academy Award-nominated, "The Invisible War," Tribeca winner, "Pray the Devil Back to Hell," "Fahrenheit 9/11", Academy Award-nominated "Asylum," "This Film is Not Yet Rated," and "Derrida."

Known for

Citizenfour

In June 2013, Laura Poitras and reporter Glenn Greenwald flew to Hong Kong for the first of many meetings with Edward Snowden. She brought her camera with her.
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Citizenfour
Citizenfour

2014

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Fahrenheit 9/11

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
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Fahrenheit+9%2F11
Fahrenheit 9/11

2004

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Audrie & Daisy

A documentary film about three cases of rape, that includes the stories of two American high school students, Audrie Pott and Daisy Coleman. At the time of the sexual assaults, Pott was 15 and Coleman was 14 years old. After the assaults, the victims and their families were subjected to abuse and cyberbullying.
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Audrie & Daisy

2016

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Cameraperson

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
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Cameraperson
Cameraperson

2016

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Dick Johnson Is Dead

With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.
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Dick Johnson Is Dead

2020

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Risk

Capturing the story of WikiLeaks founder Julian Assange with unprecedented access, director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle in a documentary portrait of power, betrayal, truth and sacrifice.
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Risk