Director: Khoa Lê
Known for
I Like Girls
Four women share funny and intimate tales of one-sided infatuation, mutual attraction, erotic moments, and fumbling attempts at sexual expression. For them, discovering that they’re attracted to other women comes hand-in-hand with a deeper understanding of their personal identity and a joyful new self-awareness.
Four women share funny and intimate tales of one-sided infatuation, mutual attraction, erotic moments, and fumbling attempts at sexual expression. For them, discovering that they’re attracted to other women comes hand-in-hand with a deeper understanding of their personal identity and a joyful new self-awareness.
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6.5
Bà nội
The prophecy of Khoa Lê’s 93-year-old grandmother (bà nôi) burdens his unknown future and reflects the roots of his past. Born in Vietnam but raised in Canada, Lê’s homeland pilgrimage is measured parts self-portrait, ethnography and an ethereal quest for identity. His bà nôi is funny and forthright in a matriarchal manner, as one with little time to worry about what others think. Stark observations of her home life and family visits contrast visually stunning dreamlike sequences of fog-laced silhouettes and twilight vistas that echo an unpredictable path. As he celebrates New Year’s events with family traditions and rituals steeped in superstition, fortunes and horoscopes, it’s clear Lê is seeking signs of destiny as he poetically captures a soul floating between two worlds.
The prophecy of Khoa Lê’s 93-year-old grandmother (bà nôi) burdens his unknown future and reflects the roots of his past. Born in Vietnam but raised in Canada, Lê’s homeland pilgrimage is measured parts self-portrait, ethnography and an ethereal quest for identity. His bà nôi is funny and forthright in a matriarchal manner, as one with little time to worry about what others think. Stark observations of her home life and family visits contrast visually stunning dreamlike sequences of fog-laced silhouettes and twilight vistas that echo an unpredictable path. As he celebrates New Year’s events with family traditions and rituals steeped in superstition, fortunes and horoscopes, it’s clear Lê is seeking signs of destiny as he poetically captures a soul floating between two worlds.
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5.5
Mother Saigon
In Saigon, family culture carries on as it has for centuries, even when blood ties are broken. Through a mosaic of intimate portraits, Má Sài Gòn explores humanity’s universal desire for love, acceptance, connection and belonging through an LGBTQ+ lens. The film is a love letter – a bittersweet ode to a comforting yet disturbing mother, to a city that is as liberating as it is oppressive.
In Saigon, family culture carries on as it has for centuries, even when blood ties are broken. Through a mosaic of intimate portraits, Má Sài Gòn explores humanity’s universal desire for love, acceptance, connection and belonging through an LGBTQ+ lens. The film is a love letter – a bittersweet ode to a comforting yet disturbing mother, to a city that is as liberating as it is oppressive.
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