Director: Matthew Barney

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Birthday: 1967-03-25
Born in: San Francisco
Biography: Matthew Barney was born in San Francisco in 1967; at age six, he moved to Idaho with his family. After his parents divorced, Barney continued to live with his father in Idaho, playing football on his high school team, and visiting his mother in New York City, where he was introduced to art and museums. This intermingling of sports and art informs his work as a sculptor and filmmaker. After graduating from Yale in 1991, Barney entered the art world to almost instant controversy and success.

Known for

Destricted

A compilation of erotic films intended to illuminate the points where art meets sexuality.
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4.4
Destricted
Destricted

2006

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River of Fundament

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
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6.6
River+of+Fundament
River of Fundament

2014

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Cremaster 3

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
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6.5
Cremaster+3
Cremaster 3

2002

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Cremaster 2

CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 ...
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6.4
Cremaster+2
Cremaster 2

1999

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Drawing Restraint 9

The film concerns the theme of self-imposed limitation and continues Matthew Barney's interest in religious rite, this time focusing on Shinto
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6.4
Drawing+Restraint+9
Drawing Restraint 9

2005

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