Director: Felipe Sholl

Diamantino

A disgraced soccer star seeks redemption but is exploited by a variety of causes hoping to capitalize on his celebrity.

The Other End

Diogo (17) has a little quirk: he likes to call his mother's female therapy patients and masturbate while listening to them on the phone. One of these patients is Angela (43), a woman who was just left by her husband When Diogo calls Angela, she thinks it's her husband calling. She starts having a relationship with the silence on the other end of the line. But when she finds out it's Diogo, she's disgusted. She's furious. But, most of all, she's attracted to this person who showed so much interest in her. The only person who called her every day. Diogo helps Angela see that she can have a new beginning and she shows him his way to independence. But they have to face a number of obstacles: There's the age difference, Diogo's mother, and, especially, his own path to adulthood.

M8 - When Death Rescues Life

When Maurício becomes a student at a top medical school, he becomes obsessed with a mystery linked to the dead bodies used for dissection.

Found Memories

Each citizen of Jotuomba plays an integral role in village life. Madalena is responsible for baking bread; each morning she stacks her rolls as Antonio prepares the coffee. The two share a morning ritual of arguments and insults, followed by an amicable cup of coffee on the bench outside Antonio's shop. At midday the church bells ring, summoning the villagers to mass. In the early evening, they all share a meal together. And so life proceeds in Jotuomba, the days languidly drifting into one another; the only variations seem to be in the weather. But, one day Rita arrives looking for a place to stay.

OK

Two twenty-something boys in a public restroom. They sniff coke, talk about sex, get dirty. But the film takes on another tone as they reveal what it is that they really want.

Trinta

Biopic about the late Joãozinho Trinta, a self-taught classical dancer who turned Rio's Carnival into an international phenomenon in the 1970s and '80s by directing parades for samba schools and putting focus on costumes and decor.

Campo Grande

A wealthy middle-aged woman unexpectedly finds herself caring for two impoverished young siblings, in this subtle, touching and sincere study of class disparity from Brazilian filmmaker Sandra Kogut.