Director: Alysa Nahmias

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Born in: Tucson, Arizona, USA
Biography: Alysa Nahmias is an award-winning producer of documentary and narrative films. Her debut feature documentary about Cuba's revolutionary architecture, Unfinished Spaces (2011), was broadcast on PBS, HBO Latin America, and Al-Jazeera "Witness," won a 2012 Independent Spirit Award, numerous film festival prizes, and was selected for Sundance Film Forward. She recently produced the fiction feature No Light and No Land Anywhere by director Amber Sealey with executive producer Miranda July, which won a Special Jury Prize at the 2016 L.A. Film Festival. Her documentary producing credits include the Kino Lorber and PBS American Masters release Afternoon of a Faun: Tanaquil Le Clercq directed by Nancy Buirski with creative advisor Martin Scorsese (New York Film Festival, Berlinale, 2013); Shield and Spear by director Petter Ringborn (Hot Docs, Sheffield Doc/Fest, 2014); Academy Award-nominated director Jennifer Redfearn's ITVS/PBS feature Tocando La Luz (Full Frame Jury Prize, 2015). Nahmias was a 2013 Film Independent Fellow. Her work has been shown at festivals and exhibitions worldwide, including the Venice Biennale and MoMA.

Known for

Wildcat

Back from war in Afghanistan, a young British soldier struggling with depression and PTSD finds a second chance in the Amazon rainforest when he meets an American scientist, and together they foster an orphaned baby ocelot.
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7.4
Wildcat
Wildcat

2022

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Unrest

When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.
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7.1
Unrest
Unrest

2017

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The Tuba Thieves

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.
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The+Tuba+Thieves
The Tuba Thieves

2024

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Art & Krimes by Krimes

While locked-up for six years in federal prison, artist Jesse Krimes secretly creates monumental works of art—including an astonishing 40-foot mural made with prison bed sheets, hair gel, and newspaper. He smuggles out each panel piece-by-piece with the help of fellow artists, only seeing the mural in totality upon coming home. As Jesse's work captures the art world's attention, he struggles to adjust to life outside, living with the threat that any misstep will trigger a life sentence.
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Art & Krimes by Krimes

2022

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Unfinished Spaces

Cuba's ambitious National Art Schools project, designed by three young artists in the wake of Castro's Revolution, is neglected, nearly forgotten, then ultimately rediscovered as a visionary architectural masterpiece.
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6.5
Unfinished+Spaces
Unfinished Spaces

2011

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No Light and No Land Anywhere

Grieving her mother’s death and her own failing marriage, Lexi boards a plane from London to Los Angeles in search of the estranged father who abandoned her when she was three years old. Based out of a seedy Hollywood motel, she follows a tenuous trail of breadcrumbs, collecting numbers and addresses in the hopes that one will lead to her father, while establishing unexpected connections along the way.
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4.7
No+Light+and+No+Land+Anywhere
No Light and No Land Anywhere

2017

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I Didn't See You There

As a visibly disabled person, filmmaker Reid Davenport is often either the subject of an unwanted gaze — gawked at by strangers — or paradoxically rendered invisible, ignored or dismissed by society. The arrival of a circus tent just outside his apartment prompts him to consider the history and legacy of the freak show, in which individuals who were deemed atypical were put on display for the amusement and shock of a paying public. Contemplating how this relates to his own filmmaking practice, which explicitly foregrounds disability, Davenport sets out to make a film about how he sees the world from his wheelchair without having to be seen himself.
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I+Didn%27t+See+You+There
I Didn't See You There

2022

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A Decent Home

Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.
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6.0
A+Decent+Home
A Decent Home

2022

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What We Left Unfinished

About five never completed films made between 1978 and 1992 before the backdrop of the various communist regimes that came to power in Afghanistan. Scenes from these films, some of which later reused in other works, are edited together with current footage of their locations and commentaries by the filmmakers and actors involved in the productions, allowing us to dive into action films and romantic dramas that revolve around local histories and conflicts.
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8.0
What+We+Left+Unfinished
What We Left Unfinished

2019

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