Director: Aida Begić

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Birthday: 1976-05-09
Born in: Sarajevo, Bosnia and Herzegovina, Yugoslavia (now Sarajevo, Bosnia and Herzegovina)
Biography: She graduated in Film and Theater Directing from the Academy of Performing Arts in Sarajevo in 2000. Her graduation film "The First Death Experience" has been screened at more than twenty international film festivals. This film participated in the 54th Cannes Film Festival – Official Cinefondation Selection and later received five awards: Best Short Film – 6th Ourense Film Festival, Spain, 2002; Critics' Award – 30th Huesca Film Festival, Spain, 2002; Methexis Award – MedFilm Festival, Italy, 2002; Special Jury Mention – 9th Archipelago New Media Film Festival and Short Film, Italy, 2001. Aida Begić is an assistant professor in directing (Prof. Haris Pašović) at the Academy of Performing Arts in Sarajevo. She made a number of commercials, videos and promotional films. In 2004, she and Elma Tataragic founded the production company MAMAFILM.

Known for

The Bridges of Sarajevo

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.
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6.3
The+Bridges+of+Sarajevo
The Bridges of Sarajevo

2014

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Children of Sarajevo

A microcosm of the fathomless suffering that remains more than 16 years since the siege of Sarajevo ended, writer-director Aida Begic’s follow-up to her 2008 Cannes Critics’ Week Grand Prize-winning debut Snow tells the story of two orphaned siblings struggling in a transitional society where only the fittest survive.
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6.2
Children+of+Sarajevo
Children of Sarajevo

2012

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A Ballad

Merjem-Meri, an unambitious, 30-year-old homemaker and mother to 8-year-old girl Mila, moves back to her parental home after 10 years of marriage. Soon after, Meri realizes she is stuck in a circle of provincial rules and expectations and a complex relationship with her ambitious mother and spoiled younger brother. Her hope to get the custody of her daughter wanes from day to day because she has no chance of finding a permanent job. The only thing that makes her happy, but also makes everyone else look down on her, is participation in an audition for a film role in her neighborhood.
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7.0
A+Ballad
Snow

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.
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5.0
Snow