Director: Jane Arden

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Birthday: 1927-10-29
Born in: Pontypool, Wales, UK
Biography: Jane Arden (29 October 1927 – 20 December 1982) was a Welsh film director, actress, screenwriter, playwright, songwriter, and poet. Arden was born Norah Patricia Morris at 47 Twmpath Road, Pontypool, Monmouthshire.[1] She studied acting at the Royal Academy of Dramatic Art in London, England, and began her career in the late 1940s on television and in the cinema. She appeared in a television production of Romeo and Juliet in the late 1940s, and then starred in two British crime films: Black Memory (1947) directed by Oswald Mitchell – which provided South African-born actor Sid James with his first screen credit (billed as Sydney James) – and Richard M. Grey's A Gunman Has Escaped (1948). There are copies of both films in the BFI National Archive, but the copy of A Gunman Has Escaped is incomplete.

Known for

Separation

Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.
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5.7
Separation
Separation

1968

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The Other Side of the Underneath

A therapist looks into the mind of a woman diagnosed as schizophrenic and finds, not madness, but tortured sexual guilt created by the taboos of society.
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7.2
The+Other+Side+of+the+Underneath
The Other Side of the Underneath

1972

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Anti-Clock

A complex and fascinating experimental exploration of time and identity, Anti-Clock is a film of authentic, startling originality. Brilliantly mixing film and video techniques, Arden and Bond's paranoid, psychological surveillance study of a career gambler turned clairvoyant unstuck in time captures onscreen the anxieties that have infiltrated the consciousness of so many in Western society.
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6.3
Anti-Clock
Anti-Clock

1979

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