Director: Keita Kurosaka

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Biography: Keita Kurosaka is active as an animator and as Professor in the Department of Imaging Arts and Sciences at Tokyo’s Musashino Art University. Across his career, Kurosaka has explored various methods of animation including drawing, photography, and sculpture and has also produced video clips, installation pieces, and comics. Kurosaka’s films have screened widely at international festivals including Rotterdam, Berlin, Annecy, and Hiroshima.

Known for

Winter Days

Winter Days is a 2003 animated film, directed by Kihachirō Kawamoto. It is based on one of the renku (collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names of animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuriy Norshteyn's, though, is nearly two minutes long).
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5.7
Winter+Days
Winter Days

2003

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Mochibei

A work produced with the theme of the number "4" as an event for the 4th Into Animation, an independent screening by the Japan Animation Association.
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4.7
Mochibei
Midori-ko

A woman strives to engineer a dream-food that can put a stop to the famine that has lain waste to a dystopian, near future Tokyo.
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6.0
Midori-ko
MATIERICA

One might think that beautiful pictures, a compelling story, and brilliant movement are the three essential elements of a good animated film. The word "anima" from which animation is derived, as we all know, means "to breathe life into". And "life" means "limited time" and that there could be an approach that does not include any of the aforementioned "three elements". The result of several years of exploring new methods was an "animated film" that eschews the so-called "animated" structure. This film aims to visualize "shifting consciousness" through a method of filming in which approximately 5,000 pencil drawings are constantly overlapped"
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MATIERICA
Sea Roar

In a certain fishing village, a memorial service is held to burn abandoned boats, and old fishing boats that have finished their duty have a dream on the verge of death. Deep-sea fish galloping through the alleys, fishermen pulling long ropes, ghosts of screaming girls...
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6.0
Sea+Roar