Director: Alejandro Pelayo

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Birthday: 1945-09-17
Born in: Mexico City, Mexico
Biography: Alejandro Pelayo Rangel (Mexico City, September 17, 1945) is a Mexican film director, producer and screenwriter. He has won several Ariel awards, and stood out for his films Miroslava (1993), and Morir en el golfo (1990).

Known for

Hablar

An anthology film with 20 stories on the subject of words, communication, linked to one another over a 400-metre stretch: from Madrid's Lavapiés Square to the Sala Mirador. A journey between theatre and cinema, filmed in a single fixed shot running continuously over 80 minutes and half a kilometer, in Madrid's popular Lavapiés district. The characters talk, argue, laugh, cry, threaten, whisper, shout, steal, make dates, get angry with and hug one another, prompting the spectator to reflect on the immense power of words.
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6.1
Hablar
Difficult Days

Two shareholder brothers close several factories due to economic problems, except for their chemical plants.
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5.0
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Difficult Days

1988

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Dying in the Gulf

The story of the oil leader Lázaro Pizarro, of his political and personal wars, the use of crime to settle conflicts and the course of his power between the basements and the domes of Mexican politics, have a narrative record made in the Gulf of accuracy and dexterity
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6.0
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Dying in the Gulf

1990

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Miroslava

The beautiful and popular movie star Miroslava is depressed tonight. As she prepares her suicide, her entire life is revealed on screen in a disturbing portrait of a lonely woman.
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6.1
Miroslava
Ship of Dreams

Four men and two women illegaly board a cargo ship from Buenaventura, Colombia to New York. All their dreams and frustrations confronts them while they attempt not to be discovered by the ship crew. They all seek the "American Dream".
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7.2
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Ship of Dreams

1996

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The Eve

Aging politicians who have faded from the public eye hold a cocktail party to celebrate one friend's appointment to the President's Cabinet. Illusions are indulged, illusions are shattered.
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5.3
The+Eve
Eisenstein en México

Inspired by the social changes that the Revolution brought to our country and the admiration he felt for Mexican art, the Russian filmmaker Sergei M. Eisenstein traveled to Mexico with the intention of filming a film mosaic that culminated in the most beautiful non-existent film. The details of this odyssey are exposed in this episode of the classic television series Those Who Made Our Cinema.
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Eisenstein en México

1984

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