Director: Kim Cho-hee

Right Now, Wrong Then

Chun-su arrives in Suwon one day earlier than scheduled. He has a special lecture to give the next day. Chun-su decides to visit a palace and meets Hee-jung there. Hee-jung is a painter and she lets Chun-su see her workroom with her paintings. In the evening, they go out eat and drink together. There, Chun-su reveals something unexpected to Hee-jung.

The Day He Arrives

A film director who no longer makes films arrives in Seoul to meet a close friend. When the friend doesn't show up, he wanders the city aimlessly for three days, grabbing drinks and meeting women, with each day playing out like a version of the last.

In Another Country

Three French women visit the same holiday resort in Korea and their lives intersect to form a web of lust, love and confusion.

Nobody's Daughter Haewon

Hae-won, a college student, wants to end her secret affair with her professor, Seong-jun. Feeling depressed after bidding farewell to her mother who is set to immigrate to Canada the next day, Hae-won seeks out Seong-jun again after a long time. That day, they run into her classmates at a restaurant and their relationship gets revealed. Hae-won gets more agitated and Seong-jun makes an extreme suggestion to run away together.

Our Sunhi

Sunhi, a young girl, visits her old school to meet her professor. Once there, she meets two other individuals whom she shares her past with.

Hill of Freedom

A teacher arrives in Seoul to track down a woman he is in love with. However, things change after he visits a cafe and develops a relationship with the owner.

Ha Ha Ha

Over drinks, two friends agree to swap fond memories of their recent trips to the same seaside town. As the stories unfold in flashback, it becomes evident their accounts take place at the same time and with the same people.

Like You Know It All

A South Korean art house film director is first invited to serve on the panel of a film festival, then to guest lecture at a film school.

Oki's Movie

Oki, a film student, gets involved in two relationships as she navigates the advances of a fellow student and grapples with her feelings for her much older professor.

Lucky Chan-sil

With the death of her long-time director, Chan-sil, a film producer, is now unemployed. While working as a cleaning lady at an actress' house, she meets a young man. Attracted to him, Chan-sil realises old anxieties are about to emerge: her already gone-youth, messed-up love life, and broken career.

Visitors

Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi