Director: Jérôme Le Maire
Known for
Requiem for a Killer
Lucretia is a killer for hire. Specialised in poisoning and passionate about opera, she'll have to fulfill a difficult contract in the heart of the Swiss alps. Posing as a singer, Lucretia will have to appear on the scene of the higly exclusive Festival d'Ermeux and try to kill one of her partners: British bariton Alexander Child. Having recently acquired a Scottish distillery, he remains the only obstacle to a strategic pipeline project with considerable economic stakes; having recently won a tough legal battle against British Oil, their last resort is to eliminate him. Complicating everything is Rico, sent by the French contra-espionage, who tries to infiltrate the orchestra and stop the plot against Alexander Child.
Lucretia is a killer for hire. Specialised in poisoning and passionate about opera, she'll have to fulfill a difficult contract in the heart of the Swiss alps. Posing as a singer, Lucretia will have to appear on the scene of the higly exclusive Festival d'Ermeux and try to kill one of her partners: British bariton Alexander Child. Having recently acquired a Scottish distillery, he remains the only obstacle to a strategic pipeline project with considerable economic stakes; having recently won a tough legal battle against British Oil, their last resort is to eliminate him. Complicating everything is Rico, sent by the French contra-espionage, who tries to infiltrate the orchestra and stop the plot against Alexander Child.
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4.9
First Growth
Winemaker son, Charlie Marshall left Burgundy to become a Parisian renowned winemaker, author of a successful guide whose notes are annually tremble vineyards. But in Côte-d'Or, his father lost the taste of wine and mistakes the family winery rush towards bankruptcy. At first reluctant, Charlie returns to Burgundy. It must his boots and shoes back up his sleeves and become winemaker confront a profession he does not know, under the skeptical gaze of his father. Between unpredictable weather and a delicate variety, Charlie will have to prove to his father that he is worthy of this land passed from generation to generation in their family. It is easy to note a wine, but how do we do a great wine?
Winemaker son, Charlie Marshall left Burgundy to become a Parisian renowned winemaker, author of a successful guide whose notes are annually tremble vineyards. But in Côte-d'Or, his father lost the taste of wine and mistakes the family winery rush towards bankruptcy. At first reluctant, Charlie returns to Burgundy. It must his boots and shoes back up his sleeves and become winemaker confront a profession he does not know, under the skeptical gaze of his father. Between unpredictable weather and a delicate variety, Charlie will have to prove to his father that he is worthy of this land passed from generation to generation in their family. It is easy to note a wine, but how do we do a great wine?
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5.9
Burning Out
Burning Out is literally a drama about life and death. For two years, the Belgian director Jérôme le Maire followed the members of a surgical unit in one of the biggest hospitals in Paris. Constantly under severe stress, understaffed and subject to severe budget cuts, employees fight each other for resources. Meanwhile the management imposes ever more stringent efficiency and profitability targets. All over Europe burnout has reached epidemic proportions among employees in the public and private sectors. Will we end up killing ourselves? Or will we be able to find meaning and joy at work?
Burning Out is literally a drama about life and death. For two years, the Belgian director Jérôme le Maire followed the members of a surgical unit in one of the biggest hospitals in Paris. Constantly under severe stress, understaffed and subject to severe budget cuts, employees fight each other for resources. Meanwhile the management imposes ever more stringent efficiency and profitability targets. All over Europe burnout has reached epidemic proportions among employees in the public and private sectors. Will we end up killing ourselves? Or will we be able to find meaning and joy at work?
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6.7
