Actor: Selena Royle

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Birthday: 1904-11-06
Born in: New York City, New York, USA
Biography: From Wikipedia, the free encyclopedia Selena Royle (November 6, 1904 – April 23, 1983) was an American actress (of stage, radio, television and film), and later, an author. Royle was born in New York City to playwright Edwin Milton Royle and actress Selena Fetter (April 12, 1860 - May 10, 1955). She had an older sister, Josephine Fetter Royle (1901–1992). Her mother recounted in a newspaper article that she used to take Selena along with her to her rehearsals and performances. One night, then seven-year-old Selena went missing. While the mother frantically searched for her, holding up act two, the audience became restless. The youngster finally turned up - she had gone on stage dressed in her mother's second-act costume; she made a bow, much to the audience's amusement. She later remarked, "And that is the first time I was ever on stage, and I liked it so well I stayed." Her father wrote the 1921 Broadway play Lancelot and Elaine to provide both her and sister Josephine with their first professional roles, as Guinevere and Elaine respectively. Eventually, she landed a part on her own in the 1923 Theatre Guild production of Peer Gynt, with Joseph Schildkraut, and became a respected Broadway actress. She made one film in the 1930s, Misleading Lady, but otherwise worked on the stage and on radio. Royle began her radio career in 1926 or 1927 and performed "almost continuously since", according to a 1939 newspaper item. Her body of work includes playing the title role in Hilda Hope, M.D. She also played Martha Jackson in Woman of Courage, Mrs. Allen in Against the Storm, Joan in The O'Neills, and Mrs. Gardner in Betty and Bob, and appeared in Kate Hopkins. In the 1940s, she returned to film and had a successful run, mainly playing maternal characters such as the bereaved mother of The Fighting Sullivans (1944), mother to Jane Powell in the big screen adaptation of A Date with Judy (1948) and the title character's mother opposite Ingrid Bergman as Joan of Arc (1948). She made several appearances on early television. However, in 1951, when she refused to testify before the House Un-American Activities Committee. She sued the American Legion, which had published Red Channels, in which her name was listed, and won but her acting career ended. She made only three more roles, the last being Murder Is My Beat (1955). She also wrote several books, including Guadalajara: as I Know It, Live It, Love It (which went through several editions) and a couple of cookbooks, and some magazine articles. She was the "radio editor" of the short-lived New York periodical Swank.

Known for

The Heiress

Dull and plain Catherine lives with her emotionally distant father, Dr. Sloper, in 1840s New York. Her days are empty — filled with little more than needlepoint. Enter handsome Morris Townsend, a dashing social climber with his eye on the spinster's heart and substantial inheritance.
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The+Heiress
The Heiress

1949

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Joan of Arc

In the 15th Century, France is a defeated and ruined nation after the One Hundred Years War against England. The fourteen-year-old farm girl Joan of Arc claims to hear voices from Heaven asking her to lead God's Army against Orleans and crowning the weak Dauphin Charles VII as King of France. Joan gathers the people with her faith, forms an army, and conquers Orleans.
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6.2
Joan+of+Arc
Joan of Arc

1948

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Thirty Seconds Over Tokyo

In the wake of Pearl Harbor, a young lieutenant leaves his expectant wife to volunteer for a secret bombing mission which will take the war to the Japanese homeland.
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6.6
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Thirty Seconds Over Tokyo

1944

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The Harvey Girls

On a train trip out west to become a mail-order bride, Susan Bradley meets a cheery crew of young women traveling out to open a "Harvey House" restaurant at a remote whistle-stop.
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6.5
The+Harvey+Girls
The Harvey Girls

1946

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That's Entertainment!

Various MGM stars from yesterday present their favorite musical moments from the studio's 50 year history.
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That's Entertainment!

1974

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Robot Monster

Ro-Man, an alien robot who greatly resembles a gorilla in a diving helmet, is sent to earth to destroy all human life. Ro-Man falls in love with one of the last six remaining humans, and struggles to understand how his programming can instruct him to kill her while his heart demands that he can't.
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Robot Monster

1953

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Moonrise

Stigmatized from infancy by the fate of his criminal father, a man is bruised and bullied until one night, in a fit of rage, he kills his most persistent tormentor. As the police close in around him, he makes a desperate bid for the love of the dead man’s fiancée, a schoolteacher who sees the wounded soul behind his aggression.
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6.2
Moonrise
You're My Everything

In 1924, stage-struck Boston blueblood Hannah Adams picks up musical star Tim O'Connor and takes him home for dinner. One thing leads to another, and when Tim's show rolls on to Chicago a new Mrs. O'Connor comes along as incompetent chorus girl. Hollywood beckons, and we follow the star careers of the O'Connor family in silents and talkies.
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You're My Everything

1949

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Mrs. Parkington

In this family saga, Mrs. Parkington recounts the story of her life, beginning as a hotel maid in frontier Nevada where she is swept off her feet by mine owner and financier Augustus Parkington. He moves them to New York, tries to remake her into a society woman, and establishes their home among the wealthiest of New York's high society. Family and social life is not always peaceful, however, and she guides us, in flashbacks, through the rises and falls of the Parkington family fortunes.
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Mrs. Parkington

1944

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The Damned Don't Cry

Fed up with her small-town marriage, a woman goes after the big time and gets mixed up with the mob.
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The Damned Don't Cry

1950

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Branded

A gunfighter takes part in a scheme to bilk a wealthy cattle family out of half a million dollars by pretending to be their son, who was kidnapped as child.
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Branded
Night and Day

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."
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Night and Day

1946

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