Actor: Kaho Minami

Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack

Godzilla has become a distant memory for Japan when the destruction of a US submarine raises alarms for Admiral Tachibana. His estranged daughter Yuri investigates the legend of the guardian monsters, who must rise to protect Japan against the vengeful spirits within Godzilla that seek to destroy both the nation and its people for the suffering they inflicted in the Pacific conflict.

Kabukicho Love Hotel

This erotically charged drama traces the intersecting stories of a group of employees and visitors at a notorious "love hotel" in Tokyo's red-light district.

The Great Yokai War

A young boy with a troubled home life becomes "chosen," and he stumbles into the middle of a great war of yōkai (a class of mythological creatures), where he meets a group of friendly yōkai who become his companions through his journey. Now he must fight to protect his friends and free the world of the yōkai from oppression. The yōkai originate in Japanese folklore and range from the cute and silly to the disturbing.

Oh Lucy!

A lonely, chain-smoking office lady in Tokyo falls for her teacher when she decides to take English lessons. When her teacher disappears, she sets out on a journey to find him.

Infection

Infection takes place in a dark, isolated hospital, where one doctors mistake has led to dire consequences for a patient. In a hospital death is just a breath away.

The Drifting Classroom

An entire Japanese international grade school—and all within—are mysteriously transported to a foreboding desert wasteland. As the story unfolds, the diminishing student body weathers this apocalyptic crisis while searching for clues about their surroundings, and dealing with psychological breakdown and dangerous exterior forces.

The Geisha House

Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omocha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku's film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.

The Most Terrible Time in My Life

Maiku Hama is a private detective working in Yokohama. Hama comes to the aid of a Taiwanese waiter named Yang and agrees to track down his missing brother. Through a series of double-crosses Hama gets embroiled in a gang war and a revenge plot between the two brothers

The Go Master

The life of Go master Wu Qingyuan from his meteoric rise as a child prodigy to fame and fortune as a revolutionary strategic thinker, as well as the tumultuous conflicts between his homeland of China and his adopted nation of Japan.

Chronicle of My Mother

Best-selling novelist Kosaku Igami has made a career out of using his family as fodder for his novels, much to their dismay. When his mother, the spirited family matriarch, is diagnosed with dementia, Igami must come to terms with the toll his own behavior has taken on his increasingly distant family and resolve his own long-simmering resentments. Evocative of classic Ozu, this gorgeously wrought epic family portrait explores the tenderness and trappings of familial bonds.

21st Century Girl

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

Blue Hour

Trapped in her anemic career and love relationship, a 30-year-old TV commercial director returns to her countryside home in the company of a free-spirited friend. In a bittersweet reunion with an alienated family, her childhood memories of freedom and yearnings creep in the dreamlike blue hour, transcending into a lyricism of self-realization – at once whimsical, agonizing and yet hopeful.