Actor: Ulrich Mühe

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Birthday: 1953-06-20
Born in: Grimma, Germany
Biography: Friedrich Hans Ulrich Mühe (20 June 1953 – 22 July 2007) was a German film, television and theatre actor. He played the role of Hauptmann (Captain) Gerd Wiesler in the Oscar-winning film Das Leben der Anderen (The Lives of Others, 2006), for which he received the award for Best Performance by an Actor in a Leading Role, Gold, at Germany's most prestigious film awards, the Deutscher Filmpreis (German Film Awards); and the Best Actor Award at the 2006 European Film Awards. Curiously, events in Mühe's life were mirrored by the plot of the film, as he allegedly discovered in a Stasi file compiled on him that he had been under surveillance by his second wife, Jenny Gröllmann. Gröllmann denied this, and after an acrimonious and highly-publicized court case she succeeded in obtaining an injunction to prevent Mühe from repeating the allegation in a book. After leaving school, Mühe was employed as a construction worker and a border guard at the Berlin Wall. He then turned to acting, and from the late 1970s into the 1980s appeared in numerous plays, becoming a star of the Deutsches Theater in East Berlin. He was active in politics and denounced Communist rule in East Germany in a memorable address at the Alexanderplatz demonstration on 4 November 1989 shortly before the fall of the Berlin Wall. After German reunification he continued to appear in a large number of films, television programmes and theatre productions. In Germany he was particularly known for playing the lead role of Dr. Robert Kolmaar in the long-running forensic crime series Der letzte Zeuge (The Last Witness, 1998–2007). Description above from the Wikipedia article Ulrich Mühe, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known for

The Lives of Others

In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
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The Lives of Others

2006

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Funny Games

Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.
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7.3
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Funny Games

1997

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My Führer

Hitler no longer believes in himself, and can barely see himself as an equal to even his sheep dog. But to seize the helm of the war he would have to create one of his famous fiery speeches to mobilize the masses. Goebbels therefore brings a Jewish acting teacher Grünbaum and his family from the camps in order to train the leader in rhetoric. Grünbaum is torn, but starts Hitler in his therapy ...
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5.7
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My Führer

2007

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Amen.

Kurt Gerstein—a member of the Institute for Hygiene of the Waffen-SS—is horrified by what he sees in the death camps. he is then shocked to learn that the process he used to purify water for his troops by using Zyklon-B, is now used to kill people in gas chambers.
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Amen.
Benny's Video

A 14-year-old video enthusiast obsessed with violent films decides to make one of his own and show it to his parents, with tragic results.
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Benny's Video

1992

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The Castle

Michael Haneke's adaptation of Franz Kafka's unfinished novel Das Schloss. K arrives in a remote village a stranger. In attempting to establish himself there, he enters the nightmarish world of the castle bureaucracy.
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5.9
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The Castle

1997

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Schtonk!

Schtonk! is a farce of the actual events of 1983, when Germany's Stern magazine published, with great fanfare, 60 volumes of the alleged diaries of Adolf Hitler – which two weeks later turned out to be entirely fake. Fritz Knobel (based on real-life forger Konrad Kujau) supports himself by faking and selling Nazi memorabilia. When Knobel writes and sells a volume of Hitler's (nonexistent) diaries, he thinks it's just another job. When sleazy journalist Hermann Willié learns of the diaries, however, he quickly realizes their potential value... and Knobel is quickly in over his head. As the pressure builds and Knobel is forced to deliver more and more volumes of the fake diaries, he finds himself acting increasingly like the man whose life he is rewriting. The film is a romping and hilarious satire, poking fun not only at the events and characters involved in the hoax (who are only thinly disguised in the film), but at the discomfort Germany has with its difficult past.
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