Actor: Avi Kushnir
Birthday: 1960-08-26
Known for
Metallic Blues
A man enters the car and drives it to a local car dealer where he hopes to sell it. It seems that he has moved back from Canada and cannot afford the tax on the car. The dealership is manned by two. One appears to be the worker of the pair - keeping the cars clean and running. The other is a cookie cutter version of many auto salesmen to be found everywhere in the world. He is Shmuel, the apparent owner of the lot and has seen the same car in a German dealer's catalog priced at €50,000. He conferences with Siso, the worker of the pair, whose financial support he needs and convinces him to invest in the purchase of the car. In the typical car dealer fashion, Shmuel makes a deal to buy the car from the "ignorant Arab" for €5,000.
A man enters the car and drives it to a local car dealer where he hopes to sell it. It seems that he has moved back from Canada and cannot afford the tax on the car. The dealership is manned by two. One appears to be the worker of the pair - keeping the cars clean and running. The other is a cookie cutter version of many auto salesmen to be found everywhere in the world. He is Shmuel, the apparent owner of the lot and has seen the same car in a German dealer's catalog priced at €50,000. He conferences with Siso, the worker of the pair, whose financial support he needs and convinces him to invest in the purchase of the car. In the typical car dealer fashion, Shmuel makes a deal to buy the car from the "ignorant Arab" for €5,000.
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7.6
Alex Is Lovesick
This feature is one of the Israeli cinematography milestones. It displays the atmosphere of the late Israeli 50s from the view of young boy Alex, just becoming 13. His mom is the classic "Polish Mother", his school friends are young hustlers dreaming of nude girls, his schoolmaster is a nervous Russian immigrant. The street speech is full of Polish, Russian, and Farsi slang, full of the small talk that had later entered the everyday speech. The soundtrack, which is quite remarkable, is built solely on the American music of the period. Everyone in the feature finds one's love and happiness.
This feature is one of the Israeli cinematography milestones. It displays the atmosphere of the late Israeli 50s from the view of young boy Alex, just becoming 13. His mom is the classic "Polish Mother", his school friends are young hustlers dreaming of nude girls, his schoolmaster is a nervous Russian immigrant. The street speech is full of Polish, Russian, and Farsi slang, full of the small talk that had later entered the everyday speech. The soundtrack, which is quite remarkable, is built solely on the American music of the period. Everyone in the feature finds one's love and happiness.
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5.6
