Actor: Rick Danko

The Last Waltz

Martin Scorsese's documentary intertwines footage from "The Band's" incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.

Roger Waters: The Wall—Live in Berlin

A global television broadcast of the event in which former Pink Floyd leader singer and composer Roger Waters led an all-star cast in a mammoth benefit performance of his acclaimed concept album, The Wall. Set in Berlin, Germany less than a year after the destruction of the hated Berlin Wall, Waters was accompanied by disparate talents such as Cyndi Lauper, James Galway, Joni Mitchell and Albert Finney in the classic dark musical tale of a rock star's descent into madness and back.

Once Were Brothers: Robbie Robertson and The Band

A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.

Festival Express

The filmed account of a large Canadian rock festival train tour boasting major acts. In the summer of 1970, a chartered train crossed Canada carrying some of the world's greatest rock bands. The Grateful Dead, Janis Joplin, The Band, Buddy Guy, and others lived (and partied) together for five days, stopping in major cities along the way to play live concerts. Their journey was filmed.

Eat the Document

Eat the Document is a documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. Though shooting had completed for the film, Dylan's July 1966 motorcycle accident delayed the editing process. Once well enough to work again, Dylan edited the film himself. ABC rejected the film as incomprehensible for a mainstream audience.

You Are What You Eat

A montage of the weird, a freak-out film that appeared when the expression was in fashion and in flower, along with the flower people. The film was one of the first exponents of the mobile camera-rock track-optical effect school of filmmaking, and it is much a document as it is a documentary. A repellent and fascinating depiction of the Sunset Strip in Hollywood, along with Haight-Ashbury in San Francisco and the East Village in New York. Tiny Tim amounts to something resembling a recurring motif and narrator.