Actor: Gustav Fröhlich

Metropolis

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Die Sünderin

It is a love story between a prostitute and an artist. It was one of the first German films to break several taboos: nudity, suicide and euthanasia. In the Germany of the '50s, this caused a lot of negative reactions by the politicians and the Roman Catholic Church. The opposition reached the degree of banning the film and scandalizing it which paradoxically made it one of the landmarks in the history of film.

Asphalt

One of the last great German Expressionist films of the silent era, Joe May’s Asphalt is a love story set in the traffic-strewn Berlin of the late 1920s. Starring the delectable Betty Amann in her most famous leading role, Asphalt is a luxuriously produced UFA classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of traffic.

Giorgio Moroder's Metropolis

In 1984, Academy Award winning composer Giorgio Moroder introduced Fritz Lang’s science fiction epic Metropolis to a new generation of filmgoers. Working in collaboration with film archivists globally, Moroder supervised a special reconstruction, with color tinting, fewer intertitles and newly restored footage. A pioneer in the field of digital music, Moroder backed this special edition with a throbbing new score, punctuated with pop songs from some of the biggest stars of the early MTV era: Freddie Mercury, Pat Benatar, Adam Ant, Bonnie Tyler, Loverboy and others.

The Company's in Love

The story follows a movie crew who is filming a musical in a small and idyllic alpine village. After their temperamental leading lady drops out of the film, they decide to replace her with the village's young post office clerk Gretl, who returns to Berlin with them. There she has to struggle with the movie's all-male crew, who all try to woo and win her.