Actor: Vladimir Weigl

Knockin' on Heaven's Door

Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in tequila and decide to take one last trip to the sea. Drunk and still in pajamas they steal the first fancy car they find, a 60's Mercedes convertible. The car happens to belong to a bunch of gangsters, which immediately start to chase it, since it contains more than the pistol Martin finds in the glove box.

Class Reunion 1.0

Three former classmates reunite for their 30-year high school reunion.

Head Full of Honey

Before eleven years old Tilda's parents can put her beloved grandfather in an old people's home due to his progressing Alzheimer disease, she takes him on one last adventure that subliminally threatens to tear her family apart.

Max Schmeling

Based on the true story of Max Schmeling. A national hero in the 1930's when he became World heavyweight champion. He lost favour with the Nazi regime when he lost to a black man, Joe Louis, and is sent to the front in the hope he will be killed in battle.

David

Although members of the Hitler Youth chant anti-Semitic paroles in front of his house during the Purim festival, Rabbi Singer is still profoundly convinced that Germany will stay a safe country for him, his family, and his fellow believers. But several years later, his son David is banned from going to school because he is a Jew. Shortly after, Rabbi Singer and his wife are deported. Now, young David also fears for his life. In constant fear of being detected, he tries to find a way to leave Germany.

Now or Never

Three elderly ladies, Carla, Lilli and Meta, who, after their hard earned holiday money is stolen by bank robbers, decide to steal from their local bank. Along the way their are romances, arguments and a few other unexpected surprises.

Advertising Rules!

Edward Kaminsky, an aging ad man, wants a golden parachute from his agency; he must first land the Opel auto contract. Rosa, a youth with wealthy parents, wants to establish herself as an artist. The clumsy and enthusiastic Viktor, not quite honest, wants work. When he wanders into Kaminsky's meeting with Opel and says something about irony, the Opel director wants him in on the campaign. Then he steals an idea from Rosa that the Opel director loves. Before Rosa discovers he's expropriated her idea, Rosa and Viktor become lovers. Father-son feelings materialize between Kaminsky and Viktor. Can the impulsive Viktor hold it together before Rosa learns the truth and flies away?