Actor: Eszter Balint

The Dead Don't Die

In a small peaceful town, zombies suddenly rise to terrorize the town. Now three bespectacled police officers and a strange Scottish morgue expert must band together to defeat the undead.

Trees Lounge

Tommy has lost his job, his love and his life. He lives in a small apartment above the Trees Lounge, a bar which he frequents along with a few other regulars without lives. He gets a job driving an ice cream truck and ends up getting involved with the seventeen-year-old niece of his ex-girlfriend. This gets him into serious trouble with her father.

Shadows and Fog

With a serial strangler on the loose, a bookkeeper wanders around town searching for the vigilante group intent on catching the killer.

Stranger Than Paradise

A Hungarian immigrant, his friend, and his cousin go on an unpredictable adventure across America.

Downtown '81

The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.

Carmine Street Guitars

Five days in the life of fabled Greenwich Village guitar store Carmine Street Guitars.

Poor Boy

Two misfit brothers hustle cash and chase dreams in the desert. When a mysterious woman threatens to repo their beloved houseboat the brothers cook up an epic con to finally leave their dusty town and sail off on a beam of sunshine to California.

A Woman, a Part

An exhausted, workaholic actress, Anna Baskin, 44, abruptly extricates herself from a successful but mind-numbing TV role, returning to her past life in New York to reinvent herself.

American Stories

Belgian director Chantal Akerman avoids her usual "real time" technique in Histoires d'Amérique. The anecdotal nature of the subject matter compels Akerman to fragment her narrative, rather than offer it in one, uninterrupted continuum. Still, another Akerman trademark -- permitting the "drama" to emanate from the actors rather than the situations -- is very much in evidence. This informal history of Jewish life over the past 100 years is related in a series of eyewitness accounts, re-created by a group of largely unknown actors. Also known as American Stories, the Belgian/French Histoires d'Amérique began building an audience when it was shown at the Berlin Film Festival.