Actor: Nina Violić
Birthday: 1972-03-15
Born in: Rijeka, Croatia
Born in: Rijeka, Croatia
Known for
On the Path
Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...
Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...
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6.5
Our Everyday Life
Family Susic lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Sasa (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father's dissatisfaction after his company is sold on the stock exchange, Sasa's negligent attitude towards work and family, Marija's breast cancer diagnose. When problems begin to line up Muhamed and Sasa realize that actually only family is important, that it is man's last oasis
Family Susic lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Sasa (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father's dissatisfaction after his company is sold on the stock exchange, Sasa's negligent attitude towards work and family, Marija's breast cancer diagnose. When problems begin to line up Muhamed and Sasa realize that actually only family is important, that it is man's last oasis
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Fine Dead Girls
Iva and Marija, a young lesbian couple, rent an apartment in Zagreb, in a building that seems to provide a quiet and safe environment for their love, but over time the atmosphere in the building becomes more and more threatening. The elder landlady Olga dominates the building. Other tenants include her calm husband, her grown-up son Daniel who has a crush on Iva, the prostitute Lidija, an abused housewife, a widower keeping the corpse of his newly deceased wife, a gynecologist performing abortions in one flat of the house, and an ex-soldier who regularly plays martial music at night. After Olga finds out that Iva and Marija are lesbians, the situation escalates .
Iva and Marija, a young lesbian couple, rent an apartment in Zagreb, in a building that seems to provide a quiet and safe environment for their love, but over time the atmosphere in the building becomes more and more threatening. The elder landlady Olga dominates the building. Other tenants include her calm husband, her grown-up son Daniel who has a crush on Iva, the prostitute Lidija, an abused housewife, a widower keeping the corpse of his newly deceased wife, a gynecologist performing abortions in one flat of the house, and an ex-soldier who regularly plays martial music at night. After Olga finds out that Iva and Marija are lesbians, the situation escalates .
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5.6
Some Other Stories
The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.
The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.
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6.5
Forest Creatures
The new Dutch owner of a Croatian marketing agency is organizing an action-style team building for his employees over weekend. After rafting which ends up with an incident, the employees divide in two paintball groups. While making their way through the forest full of surprises – a local family who is plotting against their lives, suspicious instructors, a random pair of hikers and bizarre accidents. As the day comes to its end, it is clear that, after this game, nothing will ever be the same.
The new Dutch owner of a Croatian marketing agency is organizing an action-style team building for his employees over weekend. After rafting which ends up with an incident, the employees divide in two paintball groups. While making their way through the forest full of surprises – a local family who is plotting against their lives, suspicious instructors, a random pair of hikers and bizarre accidents. As the day comes to its end, it is clear that, after this game, nothing will ever be the same.
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5.0
The Avalanche
Franjo has disappeared in an avalanche. He’s left behind two wives and two daughters. An avalanche of unexpected events occurs when he comes back from the dead to announce to his family that he’s gay.
Franjo has disappeared in an avalanche. He’s left behind two wives and two daughters. An avalanche of unexpected events occurs when he comes back from the dead to announce to his family that he’s gay.
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The Son
Arman is about to turn 18. He was adopted as a baby by Jasna and Senad, who were unable to have children of their own. However, four years after the adoption, Jasna gives birth to Dado. Throughout his life, Arman has had a hard time coping with being an adopted child. Full of explosive energy, he constantly gets in trouble together with his schoolmates. Despite being very intelligent, he is labelled as a problem child. The only place he feels safe and loved is with Jasna’s parents. At the same time, Arman does all he can to save Dado from self-destructing. However, despite everything he does to support his brother, his parents interpret Arman’s involvement incorrectly, and blame him for every trouble with Dado.
Arman is about to turn 18. He was adopted as a baby by Jasna and Senad, who were unable to have children of their own. However, four years after the adoption, Jasna gives birth to Dado. Throughout his life, Arman has had a hard time coping with being an adopted child. Full of explosive energy, he constantly gets in trouble together with his schoolmates. Despite being very intelligent, he is labelled as a problem child. The only place he feels safe and loved is with Jasna’s parents. At the same time, Arman does all he can to save Dado from self-destructing. However, despite everything he does to support his brother, his parents interpret Arman’s involvement incorrectly, and blame him for every trouble with Dado.
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3.0
