Actor: Lili Damita

That's Entertainment!

Various MGM stars from yesterday present their favorite musical moments from the studio's 50 year history.

Fighting Caravans

Clint Belmet (Gary Cooper) is a bit of a firebrand and is sentenced to at least 30 days in jail, but his partners, Bill Jackson (Ernest Torrence) and Jim Bridger (Tully Marshall) talk a sympathetic Frenchwoman named Felice (Lili Damita) into telling the bumbling, drunken marshal that Clint had married her the previous night. Clint is released so he can accompany Felice on the wagon train heading west to California.

Starlit Days at the Lido

Basically this is a commercial for Hollywood's Lido Lounge and for MGM contract players. The Lido is a large watering hole; we visit one afternoon with an orchestra playing, all sorts of stars and would-be stars sitting at tables near the pool alongside paying customers, and bathing beauties parading and diving. The Lido's manager, Reggy Denny, introduces the stars in the audience. He's sometimes interrupted by someone who does a bit, sings a song, or otherwise entertains: most of these are novelty acts. By the end, everyone's having a swell time.

Frisco Kid

After a roustabout sailor avoids being shanghaied in 1850s San Francisco, his audacity helps him rise to a position of power in the vice industry of the infamous Barbary Coast.

Breakdowns of 1942

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1942.

Goldie Gets Along

A small-town girl schemes to get to Hollywood only to run into the man she left behind.

The Devil on Horseback

This musical tells the story of Campo wooing Damita from Keating with songs "So Divine," "Out of the Hills," "The Love Fiesta," "Oh Bella Mia."

Secrets of a Soul

Werner Krauss, who had played the deranged Dr. Caligari six years earlier, stars as a scientist who is tormented by an irrational fear of knives and the irresistible compulsion to murder his wife. Driven to the brink of madness by fantastic nightmares (designed by Ernö Metzner and photographed by Guido Seeber in a brilliant mix of expressionism and surrealism), he encounters a psychoanalyst who offers to treat the perplexing malady.

This Is the Night

When Stephen, the husband of Gerald’s mistress, Claire, discovers a pair of tickets for their planned trip to Venice, Gerald must invent a wife to cover their tracks. He is then forced to hire a woman to play “his wife” when Stephen insists he and Claire accompany them to Venice.