Actor: Petr Kopřiva

Valerie and Her Week of Wonders

Valerie, a Czechoslovakian teenager living with her grandmother, is blossoming into womanhood, but that transformation proves secondary to the effects she experiences when she puts on a pair of magic earrings. Now seeing the world around her in a different light, Valerie must endure her sexual awakening while attempting to discern reality from fantasy as she encounters lecherous priest Gracian, a vampire-like stranger and otherworldly carnival folk.

A Nice Plate of Spinach

The heroes of this absurd comedy, full of confusion and humor are Dzharda Zemanek and Frantisek Liska.

Joachim, Put It in the Machine

A sincere provincial young man, Frantisek Koudelka leaves to work in Prague. For the trip he buys a computer made horoscope with biorhythms charts, marked according to his date of birth, there are trappy, precarious, unsuccessful and even critical days and few successful days. The clumsy luckless person Frantisek has finally a guidance for his life.

You Are a Widow, Sir

After a soldier cuts off the arm of king's cousin, king decides to deactivate the army. Of course, generals don't like it at all and they try to kill the king. The assassin should be artificial body in the shape of actress Evelina Keleti and with brain of psychotic serial killer Fany Stubová. They also manage to kill king's astrologer Stuart Hampl, who warns the king. Accidentally, Hampl's brain is implanted into assassin's body, actress Keleti is killed and chaos begins.

Martyrs of Love

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.