Actor: Éléonore Klarwein

Peppermint Soda

In the fall of 1963, Anne is becoming a teenager. She lives in Paris with her mother and her older sister, Frédérique. They're just back from summer at the beach with their father. School starts. A turbulent year awaits them both.

Exposed

Wisconsin farm girl Elizabeth Carlson leaves family and her English teacher lover behind and escapes to New York. There she soon makes a career for herself as a fashion model. During a vernissage she's approached by a mysterious man whose motives are unclear...

If the Shoe Fits

A modern Cinderella in Paris: While the plain Kelly Carter works as a dresser for the famous fashion designer Francesco, she dreams of designing shoes for him. However she can't win his attention... until she helps a good fairy on the street who, unbeknownst to Kelly, enchants a pair of Kelly's shoes so that she turns into a supermodel whenever she wears them. She attends Francesco's Ball and immediately wins his heart. Now, how can she make him love her real self?

Take It from the Top

Tired of being a housewife, Annie wants to work. Between her professional life and her responsibilities as a parent, she can no longer cope. She decides to leave and starts writing a memoir of her life...

The Key Is in the Door

Marie (Annie Girardot) teaches high school and has a 16-year-old daughter in her class. Divorced some years previously, she has some vague egalitarian notions about friendship with her students and leaves her door open to them. One of her protégés is found beaten up just outside her door, and an emergency physician comes by to treat her. When her daughter starts seeing someone she doesn't much like, and she begins having a brief affair (her first since the divorce) with the ER doctor, she begins to reconsider her policy.

Annie Girardot selon son cœur

A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.