Actor: Jean Daurand

Touchez Pas au Grisbi

Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.

Jenny Lamour

Paris, France, December 1946. Jenny Lamour, an ambitious cabaret singer, and Maurice, her extremely jealous pianist husband, become involved in the thorough investigation of the murder of a shady businessman, led by Antoine, a peculiar and methodical police inspector.

Love Is My Profession

Married French lawyer Andre defends succesfully the case of Yvette, who committed a robbery. He falls in love with her, but she isn't true to him.

Witness in the City

Industrialist Pierre Verdier kills his mistress Jeanne Ancelin by throwing her off a train. Her husband, Ancelin, decides to take revenge on his wife's murderer, who has been acquitted by justice.

I Accuse

After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.

The Battle of the Rails

A 1946 war movie which tells the courageous efforts by French railway workers to sabotage Nazi reinforcement-troop trains.

Beauties of the Night

A daydreaming French composer sees himself as a fine figure dashing through history.

We Are All Murderers

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Silence Is Golden

Emile is a French film producer at the beginning of the century. One of his friends leaves his daughter Lucette in his house, when he is starting a tour through France. Emile falls in love with her. Problems starts when his younger friend Jacques come back from military service and after complaining his misfortune with women, follows Emile's advice in starting affairs with women and he meets Lucette.

Run Away Mr. Perle

Modest fifty-something, Mr. Perle, is a baker in a small provincial town. He lives there with an authoritarian woman and her cousin, a parasite who poisons his existence. A Parisian notary writes to the hero to ask him to come and take possession of an inheritance. In Paris, Perle meets a pretty adventuress.

Picpus

Picpus is a street and a subway stop where a number of murders have been committed. Maigret tries to find the killer.

Paris Holiday

Comedian Bob Hunter is aided by his French counterpart Fernydel and two beautiful blondes when he is targeted for death by a powerful European counterfeiting ring.