Actor: Philippe Garrel

foto attore
Birthday: 1948-04-06
Born in: Boulogne Billancourt, France
Biography: Philippe Garrel (French: [gaʁɛl]; born 6 April 1948; Boulogne-Billancourt) is a French director, cinematographer, screenwriter, film editor, and producer, associated with the French New Wave movement. Garrel and actress Brigitte Sy are the parents of actors Louis Garrel and Esther Garrel. Philippe Garrel was born in Boulogne-Billancourt in 1948, the son of actor Maurice Garrel and his wife. His brother, Thierry Garrel, is a producer. The younger Garrel became interested in film and started his career early, influenced by the new work of Jean-Luc Godard and François Truffaut. At the age of 16, Garrel wrote and directed his first film, Les Enfants désaccordés, in 1964. His films have won him awards at Cannes Film Festival , Venice Film Festival, and Berlin Film Festival. His works often deal with the theme of the disruptive youth of the 1960s, of which he was a part of. He has directed students of the National Conservatory of Dramatic Art where he teaches acting classes. He also staged, in his films several of his friends and family members.

Known for

The Inner Scar

A composition of symbolic, surreal and almost mystic images.
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6.6
The+Inner+Scar
The Inner Scar

1972

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She Spent So Many Hours Under the Sun Lamps

A young film director is turning a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined , and the film - told through five dreams - is as much the story of a film on-production, as the birth of a child.
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7.4
She+Spent+So+Many+Hours+Under+the+Sun+Lamps
She Spent So Many Hours Under the Sun Lamps

1985

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Secret Child

Jean-Baptiste, a filmmaker, and Elie, an actress, fall in love. To fight their unhappiness, they cling to their children: Jean-Baptiste to his film and Elie to her young son.
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6.6
Secret+Child
Secret Child

1979

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Golem, l'esprit de l'exil

An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.
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4.7
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Golem, l'esprit de l'exil

1992

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The Virgin's Bed

30 year old child enters the new city, riding on a donkey. He says he is the Savior. He has spent no time among men. He is trembling with cold. His clothes are soaked. His mother was overprotective ; his father conspicuously absent. He knows that he must face the mockery, refusal, ignorance and blindness of the men around him. They travel in gangs, in large numbers : soldiers, mercenaries or the like, on majestic, imposing horses. Everything is out of proportion to his thin, bewildered, innocent body ; he is the madman of the new city...
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5.7
The+Virgin%27s+Bed
The Virgin's Bed

1969

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La deuxième femme

Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
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La deuxième femme

2008

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The Cradle of Crystal

An androgynous poet/dreamer sits and writes and meditates on the aching void that is her life.
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7.6
The+Cradle+of+Crystal
The Cradle of Crystal

1976

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Positano

Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema".
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6.0
Positano
Positano

2008

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