Actor: Madeleine Guitty

Zouzou

Zou Zou tries to help her childhood friend prove his innocence after he's accused of murder.

Amok

Dr. Holk leads an isolated and lonely existence in a small, Dutch colony in the tropics. Having fled from love and civilization, his only companions now are alcohol and his work, which takes him to villages ravaged by dirt, fever and a strange illness which turns innocent people into madmen: Amok. One day, he is called on by Helene Haviland, who asks him to abort her lover's child before her husband returns from abroad. Even though Holk is enchanted by her seductive beauty, he haughtily refuses her request. Rejected, the woman turns to a Chinese practitioner. When Holk tracks her down in a dirty dive, it's already too late for the two of them.

The Smiling Madame Beudet

An unhappily married woman devises a scheme to get rid of her husband.

Fanfare of Love

Two unemployed musicians dress up as women to be hired by an all -female orchestra "Tulips from Holland"; they fall in love with two gorgeous musicians.

Les Gaîtés de la finance

The banker Marivol looks like a tailor, Lambinet. Gangsters threaten the first, who hires the second as a double. The latter accepts ignoring everything. When he learns that he will be the target of killers, the unfortunate man begins to live in terror.

Si j'étais le patron

An intelligent young worker, enterprising but boastful, repeats to all the winds that, if he were the boss, we would see what we would see. One of the main shareholders of the factory takes him at his word for twenty-four hours.

Lilac

Also known as Lilac, this early Anatole Litvak-directed talkie was based on a play by Tristan Bernard and Charles Henry Hirsch. The story bears traces of the Bertold Brecht-Weill piece The Threepenny Opera, with heroine Lilac (Marcelle Romeo) consorting with the criminal scum of Paris. Lilac falls in love with a handsome detective (Andre Luguet), but he doesn't let his emotions stand in the way of his duty, and in the end he reluctantly turns her over to the authorities. At $120,000, Coeur de Lilas was one of the most expensive movies to come out of France in 1931, but it more than made back its cost at the box-office.