Actor: Guðrún María Bjarnadóttir
Known for
101 Reykjavik
Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he stands back from commitment. His mother's Spanish flamenco teacher, Lola, moves in with them for Christmas. On New Year's Eve, while his mother is away, Hlynur finds out Lola is a lesbian, but also ends up having sex with her. He soon finds out he and his mother are sharing more than a house. Eventually he must find out where he fits into the puzzle, and how to live life less selfishly.
Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he stands back from commitment. His mother's Spanish flamenco teacher, Lola, moves in with them for Christmas. On New Year's Eve, while his mother is away, Hlynur finds out Lola is a lesbian, but also ends up having sex with her. He soon finds out he and his mother are sharing more than a house. Eventually he must find out where he fits into the puzzle, and how to live life less selfishly.
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6.2
Hullabaloo
The time is 20 years and a few months to the millennium, and the unrecognized, self-proclaimed genius Orm Odins has to deal with the age-old existentialist dilemma that is teenage hood. With his final exams looming, his hormones in overdrive and love just around the corner what can a great poet do to survive? Our setting is Reykjavik in the eighties, a city that is going through a growth spur not unlike our eloquent hero. The mullet is just about to put its mark on a unsuspecting generation, there is no TV on Thursdays, only one radio station, beer is still and outlawed commodity and somewhere within the city limits the first female president in the world will see has a dream.
The time is 20 years and a few months to the millennium, and the unrecognized, self-proclaimed genius Orm Odins has to deal with the age-old existentialist dilemma that is teenage hood. With his final exams looming, his hormones in overdrive and love just around the corner what can a great poet do to survive? Our setting is Reykjavik in the eighties, a city that is going through a growth spur not unlike our eloquent hero. The mullet is just about to put its mark on a unsuspecting generation, there is no TV on Thursdays, only one radio station, beer is still and outlawed commodity and somewhere within the city limits the first female president in the world will see has a dream.
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5.0
