Actor: Glauber Rocha

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Birthday: 1939-03-14
Born in: Vitória da Conquista, Bahia, Brazil
Biography: Glauber Rocha’s avant-garde films depict Brazil’s history and upheavals in its social and political scene in a stylized, often violent manner. He began his career as a journalist and film critic, and his first short film, Pátio (1959), caught the attention of critics and prompted his rise to fame. He studied Law. He also directed theatre pieces, wrote movie critics and took part in the creation and development of the Cinema Novo (New Cinema) movement in Rio de Janeiro, becoming its theoretical leader and first embassador in Europe. After Barravento (1962), Black God, White Devil (1964), Entranced Earth (1967) and Antonio das Mortes (1969), he won various international prizes. As he symbolized the feelings of the ideology of May 1968, he became very popular in Europe and America. Rocha was at odds politically with Brazil’s rulers, and his conflicts with Brazilian authorities led to his leaving the country in 1970. He filmed in Africa, Spain and Portugal, and returned to Brazil in the late 1970s, where he also hosted the popular politics TV show Abertura. His last film was the controversial The Age of the Earth (1980).

Known for

Simon of the Desert

Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him come down to Earth and is trying to seduce him.
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7.7
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Simon of the Desert

1965

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ORG

Explores the complex relationship between the spirit, body, and mind. The film is a nightmare with closed eyes because it counts among the most terrible moments of my life, my second exile, which lasted a very long time. Inspired by an ancient Hindu legend.
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5.3
ORG
Cinema Novo

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
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6.7
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Cinema Novo

2016

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Wind from the East

A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.
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6.8
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Wind from the East

1970

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The Age of the Earth

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.
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6.3
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The Age of the Earth

1980

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Di Cavalcanti Di Glauber

This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.
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6.0
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Di Cavalcanti Di Glauber

1977

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Glauber, Claro

A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.
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10.0
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Glauber, Claro

2020

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Memórias do Grupo Opinião

Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.
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Memórias do Grupo Opinião

2019

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