Actor: Güven Kıraç

Head-On

With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.

The Edge of Heaven

The lives of six German-Turkish immigrants are drawn together by circumstance: An old man and a prostitute forging a partnership, a young scholar reconciling his past, two young women falling in love, and a mother putting the shattered pieces of her life back together.

Bad Cat

A foul-mouthed cat and its gang cross paths with humans.

The Net 2.0

The life of a young computer systems analyst is thrown into turmoil after arriving in Istanbul to start a new job. She soon finds her passport missing, her credit cards useless, her bank account empty and her identity stolen. As the story progresses we find people and events may not be what they seem...

Money Trap

Asim Noyan swindles people with his lies and games. Asim Noyan and his gang, who no one else has been able to catch, get into a ruse again.

Kebab Connection

In Hamburg, Ibrahim "Ibo" Secmez, of Turkish descent, wants to direct the first German kung-fu movie. For now, he makes commercials for his uncle's kebab restaurant. Titzie, an aspiring actress and Ibo's German girlfriend, finds she's pregnant. Ibo is uncertain about fatherhood - compounded by his father's disowning him for getting a German girl pregnant - so Titzie sends him packing. He makes attempts at getting it right, but as the birth approaches, he's still not ready. In the background are three thugs in search of good tripe soup and a Capulet-Montegue feud between the kebab joint and a Greek taverna across the street. Can Ibo be the glove upon that hand?

Innocence

Yusuf is released from prison after serving a ten year sentence. Because of unexpected problems at his sister’s house, he finds himself in a cheap hotel where he meets a man, a woman, and a child who will change his life in unexpected ways…

Muslum

A biopic about the Turkish vocal artist Müslüm Gürses. Born into a poor household, Muslum found his redemption in music from the initial trauma that lingered over his musical and personal life as internalizing the grief. He rose through his ashes of shattered dreams like a phoenix. He walked in darkness, sang songs filled with sorrow which stirred people's souls and created a cult following. They were calling him "Baba" (The Father).

Takva: A Man's Fear of God

Humble and introvert Muharrem lives in a solitary and meager existence of a prayer and sexual abstinence adhering strictly to the most severe Islamic doctrines.His extraordinary devotion attracts the attention of the leader of a rich and powerful Istanbul religious group and he offers him an administrative post as a rent collector for their numerous properties. Muharrem's new job throws him into the modern outside world he has successfully avoided for so long. He soon witnesses conflict attitude toward alcohol consumption and goodwill.He notices that he himself has become proud, domineering and even dishonest.To make matters worse, Muharrem's inner peace is unnerved by the tormenting image of seductive woman who tempts him in his dreams,both night and day.With the balance of his devotion now upset,his fear of God begins to eat away at his senses.

Killing the Shadows

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

The Lamb

In a small village, young Mert is about to get traditionally circumcised, but the family does not have the money to follow up with the circumcision celebration. The family wants to be able to serve lamb meat to the guests at the celebration. Mert’s older sister scares him that if they cannot afford a lamb the father will slaughter him instead.

Heist School

Five high school students plans to steal University Entrance Exam booklets.