Actor: Adriana Asti

Caligula

The perversion behind imperial Rome, the epic story of Rome's mad Emporer. All the details of his cruel, bizarre reign are revealed right here: His unholy sexual passion for his sister, his marriage to Rome's most infamous prostitute, his fiendishly inventive means of disposing those who would oppose him, and more.

Rocco and His Brothers

When a impoverished widow’s family moves to the big city, two of her five sons become romantic rivals with deadly results.

Zorro

A newly arrived governor finds his province under the control of the corrupt Colonel Huerta. To avoid assassination by Huerta, he pretends to be weak and indecisive so Huerta will believe he poses no threat. But secretly he masquerades as Zorro, and joins the monk Francisco and the beautiful aristocrat Hortensia in their fight for justice against Huerta and his soldiers.

Ludwig

Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin Elisabeth of Austria, abandoned by her, tormented by his homosexuality, he will little by little slip towards madness.

The Best of Youth

After a fateful encounter in the summer of 1966, the lives of two brothers from a middle-class Roman family take different directions, intersecting with some of the most significant events of postwar Italian history in the following decades.

Accattone

A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.

The Phantom of Liberty

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

Pasolini

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

The Inheritance

Rome, 1880. Gregorio Ferramonti (Anthony Quinn) has decided to close his bakery, the family business. Then he tells his sons Pippo (Gigi Proietti), Mario (Fabio Testi) and Teta that they will have to fend for themselves. But Irene (Dominique Sanda), the wife of Pippo, a beautiful, calculating and ambitious young woman, wants to take over the inheritance. Acting on intelligence, weighing every step and its consequences, she manages to convince the brothers that they must prevent at all costs that his father falls in love again to avoid the risk of losing their inheritance.

Diary of a Chambermaid

In the late 19th century, a chambermaid from Paris relocates to a remote household in Provence, engages in trysts and finds herself enraptured with a coach driver.

Istintobrass

One of the most controversial, original and loved figures of Italian cinema. The most censored director of all time. An anarchist of the film, a gifted experimenter, an inventor of dreams. A truly great artist.

Before the Revolution

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.