Actor: Birgit Doll

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Birthday: 1958-03-09
Born in: Wien, Austria
Biography: Birgit Doll was an Austrian stage and film actress and theatre director. She graduated at the Max Reinhardt Seminar in 1976 and made her stage debut at the Salzburg State Theater. Birgit Doll has worked with Ingmar Bergman, Michael Haneke, Maximilian Schell, Otto Schenk and Peter Patzak.

Known for

The Seventh Continent

Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm and repetitive existence however, they are actually planning something sinister.
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7.5
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The Seventh Continent

1989

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Hard to Be a God

Another planet in the period of medieval times. An employee of the institute of experimental history from Earth, who is send under the name of noble don Rumata of Estor as a spy with a mission to contact the local resident of the institute, arrives in the city of Arkanar. But the resident perishes under an unlucky attempt to make a palace coup, and Rumata have to take his place as the resident. Soon he meets all the horrors of the medieval society - a peasant war, palace coups, mass executions. To continue to be an indifferent watcher of all these horrors turns out to be simply impossible...
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6.2
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Hard to Be a God

1990

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Charlotte

In 1939, Charlotte Salomon leaves Berlin to seek refuge at her grandparents' villa in the south of France. A little later, war breaks out, and Charlotte must, besides forgetting all she left behind, deal with her grandmother's depression, and her mother's suicide. To fight despair, Charlotte starts to paint, producing over one thousand images. "Is my life real, or is it theater?" This is the title she gives her body of work, which highlights her former life in Berlin. She finds herself though her art, but in 1943 is deported to Germany and Auschwitz.
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Charlotte
All the Invisible Things

Adolescents in the amphibious situation between child and adult try to cope with their emotions and their environment. Right there they would need limits, a foothold and hope and yet they signalize the opposite. Between loss, extinct love, parental problems and their own needs the parent generation tries to understand or at least to save something.
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5.8
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All the Invisible Things

2007

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