Actor: Elisa Cegani

The Sicilian Clan

An ambitious mobster plans an elaborate diamond heist while seducing the daughter-in-law of a ruthless mob patriarch as a determined police commissioner closes in on all of them.

Constantine and the Cross

Constantine is fighting against Barbarians with his father when he is called to Rome. In his way to Rome, he falls in an ambush planned by Maxence, who wants to become emperor.

Nana

Nana or Nanà is a French-Italian film by Christian-Jaque starring Charles Boyer. It is an adaptation of Émile Zola's novel Nana.

House of Ricordi

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

A Very Handy Man

In late 19th century Sicily, handsome free-spirit Liolà wanders into town, where he encounters an old flame now married to a wealthy landowner.

Son of Hercules vs. Medusa

To avenge his father's death and free the people of Seriphos from the evil King Galinor of Argus, the noble Perseus must defeat a dragon -- and the monster Medusa, whose steely gaze has cast the kingdom's best soldiers into stone.

The Last Judgment

The Last Judgement (Italian: Il giudizio universale) is a 1961 commedia all'italiana film by Italian director Vittorio De Sica. It was coproduced with France. It has an all-star Italian and international cast, including Americans Jack Palance, Ernest Borgnine; Greek Melina Mercouri and French Fernandel, Anouk Aimée and Lino Ventura. The film was a huge flop, massacred by critics and audiences when it was released. It was filmed in black and white, but the last sequence, the dance at theatre, is in color.

Fabiola

In ancient Rome a love story blossoms between Fabiola, daughter of a senator, and Rhual, a Gallic gladiator. After Fabiola's father is killed, the Romans blame the Christians and the persecution begins. Rhual confesses to being a Christian, is accused of the murder and sentenced to fight to the death in the arena.

Me, Me, Me... and the Others

Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.

The Anatomy of Love

Nine episodes about life in Italy in the period just before its economic boom.

Harlem

This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.