Actor: Fernand Gravey

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Birthday: 1905-12-25
Born in: Ixelles, Brabant, Belgium
Biography: Fernand Gravey (25 December 1905 in Ixelles (Belgium) – 2 November 1970 in Paris, France), also known as Fernand Gravet in the United States, was the son of actors Georges Mertens and Fernande Depernay, who appeared in silent films produced by pioneer Belge Cinéma Film (a subsidiary of Pathé). Gravey started performing at age five under his father's direction. Before World War I, he received an education in Britain and could speak both French and English fluently, something which became useful in his movie roles. During the war, Gravey served in the British Merchant Marine Corp. In 1936, he married the French actress Jane Renouardt, who was 15 years his senior. They remained together until his death on 2 November 1970 of a heart-attack. Jane died on 3 February 1972. They had no children. Gravey performed in four films in 1913 and 1914 (as Fernand Mertens), but his first film of importance was L'Amour Chante, released in 1930. In 1933, he made Bitter Sweet, his first English language movie, which became more famous in its 1940 incarnation with Jeanette MacDonald and Nelson Eddy. In 1937, after several more French and British movies, Gravey went to Hollywood, where the spelling of his last name was altered to Gravet, and he became the focus of a rather extensive Hollywood publicity campaign (instructing moviegoers to pronounce his name properly: "Rhymes with Gravy"). Unfortunately for Gravey, he was offered only standard parts, the type of Gallic-lover roles that Louis Jourdan played in the 1950s and 1960s. The first two films he made in Hollywood were for Warner Brothers: The King and the Chorus Girl (1937), with Joan Blondell and Jane Wyman, and Fools for Scandal (1938), with Carole Lombard and Ralph Bellamy. Gravey then signed with Metro-Goldwyn-Mayer and was cast as Johann Strauss in the expensive biopic The Great Waltz, with Luise Rainer and Miliza Korjus. MGM next planned to star Gravey in a film version of Rafael Sabatini's adventure novel Scaramouche, but instead he returned to France just before the Nazi occupation began. Although he had agreed to appear in German-approved French films, Gravey was an underminer of the invaders as a member of the French Secret Army and the Foreign Legion. At the end of the war, Gravey was considered a war hero, and continued to be featured in French productions such as La Ronde (with Danielle Darrieux), and Royal Affairs in Versailles (1954). Among his last English language performances were How to Steal a Million (1966), Guns for San Sebastian (1968) and The Madwoman of Chaillot (1969), in which he played the police inspector. Source: Article "Fernand Gravey" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Known for

How to Steal a Million

A woman must steal a statue from a Paris museum to help conceal her father's art forgeries.
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How to Steal a Million

1966

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La Ronde

An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.
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Guns for San Sebastian

Leon Alastray is an outlaw who has been given sanctuary by Father John, whom he then escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from Indians, who regularly attack the village and steal all their supplies. When Father John is murdered, the villagers mistakenly think the outlaw is the priest. Alastray at first tells them he is not a priest, but they don't believe it, and an apparent miracle seems to prove they are correct. Eventually, he assists them in regaining their confidence and defending themselves.
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Guns for San Sebastian

1968

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That's Entertainment, Part II

Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.
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That's Entertainment, Part II

1976

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The Madwoman of Chaillot

An eccentric Parisian woman's optimistic perception of life begins to sound more rational than the rather traditional beliefs of others.
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The Madwoman of Chaillot

1969

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Royal Affairs in Versailles

Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are followed in more detail to the start of the Revolution, after which the story is brought rapidly up to date. A huge cast plays mainly historical persons who appear briefly.
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Royal Affairs in Versailles

1954

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Paradis perdu

In pre-World Ward I in Paris, a budding artist, Pierre LeBlanc, falls in love and marries Janine, a dressmaker's assistant. Pierre has a flair for designing clothes, and he and his bride live in a blissful paradise, until the war breaks out and he becomes a soldier. Janine dies in childbirth and, no longer desiring to live, Pierre volunteers for a dangerous patrol behind German lines. While recuperating in the hospital from a wound he received on the mission, Pierre spends his time drawing sketches of dresses. He becomes rich and famous after the war. Years later, after devoting himself to his daughter, Pierre seeks a marriage with a girl no older than his daughter. A conflict develops and to ensure his daughter's happiness, Pierre sacrifices his own plans.
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Paradis perdu

1939

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The Woman from Beirut

Isabel is a beautiful aspiring singer with great aspirations but persistent bad luck convicted of a crime she did not commit. Serving time in prison she is released under parole and lands a singing gig at a dive in Barcelona where she meets Sandro "The Greek" and his partner lover Gloria. The couple is posing as entertainment promoters but they are really running a prostitution ring based in Beirut. They offer Isabel a two-year contract to perform in "night clubs" in the Near and Mideast even after they learn that she cannot travel abroad due to her legal status. Upon arrival in Beirut, Isabel and the other girls are sped away to a luxurious villa where they discover the real intentions of the pseudo-promoters. They are expected to sing and dance but also to engage in sexual activities with the rich clients that patronize the place. Isabel pretends to go along with the situation but she has a plan to get away
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The Woman from Beirut

1965

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Fanfare of Love

Two unemployed musicians dress up as women to be hired by an all -female orchestra "Tulips from Holland"; they fall in love with two gorgeous musicians.
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Fanfare of Love

1935

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