Actor: Olaf Fønss

Atlantis

Overwhelmed by personal and professional problems, biologist Friedrich von Kammacher decides to travel abroad in order to regain the joy of living. During his adventurous journey he will meet two very different women, one of whom will be the key to his fate.

The End of the World

Foreman West lives in a small mining town with his daughters Edith and Dina. When entrepreneur and mine owner Frank Stoll comes to town to inspect the work, he falls in love with Dina. Against her father's will, she elopes with the unscrupulous Stoll. News of a meteor approaching the earth causes panic and Stoll exploits the situation to make a killing on the stock market; Collaborating with the press to quell the news of the meteor eases public tensions and guarantees him a fortune. He plans to survive in a secret underground tunnel, with Dina and his wealthy pals in tow. But things don't go as planned.

The Indian Tomb, Part II: The Tiger of Bengal

Rowland falls sick with leprosy while Mac Allan is captured by the Maharajah, who offers Irene a deal: one night with him in exchange for letting Rowland to be cured. She accepts, but tries to commit suicide.

The Indian Tomb, Part I: The Mission of the Yogi

Ayan, Maharajah of Eschnapur, believes that his wife, Princess Savitri, has been unfaithful to him with officer Mac Allan. He decides to bury her alive, so he sends the Yogi Ramigani to England to look for Herbert Rowland, an architect; but when he orders him to build a tomb, Rowland refuses.

Journey into the Night

Dr. Egil Börne, an eminent physician, comes under the spell of an unscrupulous cabaret dancer and deserts his fiancée. The plot finds echoes throughout the Weimar period, including Sternberg’s The Blue Angel. Conrad Veidt appears in a supporting role as a sinister blind painter, whose entrance eerily presages Murnau’s Nosferatu. Der Gang in die Nacht, the earliest surviving film by F. W. Murnau, is also, paradoxically, the only Murnau film for which the original camera negative exists.