Actor: Renée Fleming

foto attore
Birthday: 1959-02-14
Born in: Indiana, Pennsylvania, USA
Biography: Renée Lynn Fleming (born February 14, 1959) is an American soprano, known for performances in opera, concerts, recordings, theater, film, and at major public occasions. A recipient of the National Medal of Arts, Fleming has been nominated for 17 Grammy Awards and has won four times. Other notable awards have included the Chevalier de la Légion d'Honneur from the French government, Germany's Cross of the Order of Merit, Sweden's Polar Music Prize and honorary membership in England's Royal Academy of Music. Unusual among artists whose careers began in opera, Fleming has achieved name recognition beyond the classical music world. Fleming has a full lyric soprano voice. She has performed coloratura, lyric, and lighter spinto soprano operatic roles in Italian, German, French, Czech, and Russian, aside from her native English. A significant portion of her career has been the performance of new music, including world premieres of operas, concert pieces, and songs composed for her by André Previn, Caroline Shaw, Kevin Puts, Anders Hillborg, Nico Muhly, Henri Dutilleux, Brad Mehldau, and Wayne Shorter. In 2008, Fleming became the first woman in the 125-year history of the Metropolitan Opera to solo headline a season opening night gala. Conductor Sir Georg Solti said of Fleming: "In my long life, I have met maybe two sopranos with this quality of singing; the other was Renata Tebaldi." Beyond opera, Fleming has sung and recorded lieder, chansons, jazz, musical theatre, and indie rock, and she has performed with a wide range of artists, including Luciano Pavarotti, Lou Reed, Wynton Marsalis, Paul Simon, Andrea Bocelli, Sting and John Prine. A 2018 Tony Award nominee, Fleming has acted on Broadway and in theatrical productions in London, Los Angeles and Chicago. Fleming has also recorded songs for the soundtracks of several major films, two of which won the Academy Award for Best Picture (The Shape of Water and The Lord of the Rings: Return of the King). Fleming has made numerous television appearances, and she is the only classical singer to have performed the U.S. National Anthem at the Super Bowl. Fleming has also become a frequent public speaker about the impact of music on health and neuroscience, winning a Research!America Award for her advocacy in this field. Fleming was born on February 14, 1959, in Indiana, Pennsylvania, the daughter of two music teachers, and grew up in Churchville, New York. She has great-grandparents who were born in Prague and later emigrated to the US. Fleming attended Churchville-Chili High School. She studied with Patricia Misslin at the Crane School of Music at the State University of New York at Potsdam. While at SUNY Potsdam, she took up singing with a jazz trio in an off-campus bar called Alger's. The jazz saxophonist Illinois Jacquet invited her on tour with his big band, but she chose instead to continue with graduate studies at the Eastman School of Music in Rochester, New York, with voice teacher John Maloy. ... Source: Article "Renée Fleming" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Known for

Margaret

A young woman witnesses a bus accident, and is caught up in the aftermath, where the question of whether or not it was intentional affects many people's lives.
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Margaret
Voom Portraits

Iconic artist and theater director Robert Wilson has created a series of video portraits of celebrities, ordinary people and animals called "VOOM Portraits." Known for his glacier-paced theatrical productions with Tom Waits and Lou Reed, Wilson's now bringing his aesthetic to a video format. The recent developments in HD technology have allowed Wilson to create something like a precise hybrid of still photography and motion pictures. Actors such as Brad Pitt (as a crazy person on the streets in the rain), Isabelle Huppert (as Greta Garbo), Steve Buscemi (as a mad butcher chewing gum on a variety show), Robert Downey Jr. (as a dreaming corpse in a Rembrandt painting), and Winona Ryder (as Winnie, the main female character in Samuel Beckett’s Happy Days, buried up to her neck in sand) were asked to “think of nothing" and move slowly and steadily to collaborate in Wilson's vision of who they might be.
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10.0
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Voom Portraits

2007

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We Are One: The Obama Inaugural Celebration at the Lincoln Memorial

A public celebration of the inauguration of Barack Obama as the 44th President of the United States of America at the Lincoln Memorial and the National Mall in Washington D.C., on January 18, 2009.
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4.6
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We Are One: The Obama Inaugural Celebration at the Lincoln Memorial

2009

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Massenet: Thaïs

When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
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Massenet: Thaïs

2008

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Der Rosenkavalier

In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask
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Der Rosenkavalier

2017

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Lucrezia Borgia

A notorious femme fatale renowned for her ruthless pursuit of power reveals poignant vulnerability when she comes face to face with her long-lost son int he captivating, elegant production from San Francisco Opera.
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Lucrezia Borgia

2011

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The Metropolitan Opera: The Hours

Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power, with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.
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The Metropolitan Opera: The Hours

2022

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Händel: Rodelinda

Renée Fleming stars in the title role of one of Handel’s greatest dramas, seen in Stephen Wadsworth’s 2004 Met premiere production. Rodelinda is faced with an impossible dilemma: With her husband Bertarido believed dead, she either has to marry the despised Grimoaldo (the elegant Joseph Kaiser), who has usurped her husband’s throne, or see him murder her son. But Bertarido (leading countertenor Andreas Scholl) is alive and eventually reclaims both throne and wife—and makes peace with his enemies. Stephanie Blythe is marvelous as Eduige, Bertarido’s sister, who is betrothed to Grimoaldo but turns against him. Baroque authority Harry Bicket conducts.
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Händel: Rodelinda

2011

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La Traviata

This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.
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8.0
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La Traviata

2006

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Rossini: Armida

It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.
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Rossini: Armida

2010

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