Actor: Danièle Delorme

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Birthday: 1926-10-09
Born in: Levallois-Perret, Hauts-de-Seine, France
Biography: Gabrielle Danièle Marguerite Andrée Girard (9 October 1926 – 17 October 2015), known by her stage name Danièle Delorme, was a French actress and film producer, famous for her roles in films directed by Marc Allégret, Julien Duvivier or Yves Robert. Delorme was born in Levallois-Perret, Hauts-de-Seine, one of four children to the well-known painter, poster-maker and theater-designer André Girard and his wife Andrée (nee Jouan). Girard maintained a studio in Venice in 1936–37 and in Manhattan in 1938. Back in France he was not called up in 1939. After the Battle of France, M. Girard removed to Antibes, then a free-zone and set up a network which provided recruiting and spying work for the French resistance. It was during this time that young Delorme began her acting career. In 1940 at the age of 14 Delorme began acting and played a series of minor roles before she began acting in film. Two years later, owing to her father's contacts, she was able at 16 years old (at the time using the name Danièle Girard) to secure a bit part in The Beautiful Adventure (La Belle aventure (1942)). Two years later director Marc Allégret again used Delorme, this time in a large role. This time she performed on the stage name she would use for the rest of her career, Danièl Delorme. One story developed that she took the name in order to hide from the Gestapo her relationship to her father. But the suggestion came from character actor Bernard Blier, who performed with her in her second film to take the name from the heroine of Victor Hugo's play Marion Delorme. (Delorme would co-star with Blier two decades later in the philosophical courtroom criminal drama, The Seventh Juror (Le septième juré (1962)). During the first decade of her career Delorme played delicate, demure, bright young women, roles for which she was physically fitted. Her first husband, Daniel Gélin, who also performed in The Beautiful Adventure, said she had "the face of a little girl, an upturned nose with passionate nostrils, the lips of a child, the body of a woman and a certain way about her that turns heads." Richard W. Seaver of the New York Times described her as "a winsome wisp of an actress, with her soft smile and grey eyes." These features finally landed her a breakthrough role in Miquette et sa mère (1949). Also notable was her performanace as femme fatale in Julien Duvivier's Voici le temps des assassin (1956) (Deadlier Than the Male in the US and Twelve Hours to Live in the UK), co-starring with Jean Gabin. In 1960 Delorme joined more than 140 intellectuals, teachers, writers and celebrities in signing a manifesto supporting the right of French conscripts to refuse military service in Algeria. As a result, the French government on 28 September issued a ban against all signatories from appearing on state-run radio or television or in state-run theaters. At the same time the information minister said that another cabinet order was in preparation that would deny government funding to any film project in which any signatory appeared. ... Source: Article "Danièle Delorme" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Known for

Cléo from 5 to 7

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
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7.7
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Cléo from 5 to 7

1962

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Les Misérables

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.
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7.1
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Les Misérables

1958

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Neither Seen Nor Recognized

In a small French village, everything would be quiet if the local wildlife cop was not being ridiculed by a smart poacher.
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6.9
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Neither Seen Nor Recognized

1958

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Pardon Mon Affaire

On an otherwise normal day, Étienne, a happily married man and a good father, sees something that stops him dead in his tracks: a gorgeous woman in a billowing red dress. Long after she has left his vision, her memory continues to haunt his mind. He falls instantly in love with her and tries everything to get to know her better. Helping Étienne snare his elusive lady in red are his three bumbling buddies, which all have secret affairs and/or cheat on their wives.
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7.0
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Pardon Mon Affaire

1976

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Royal Affairs in Versailles

Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are followed in more detail to the start of the Revolution, after which the story is brought rapidly up to date. A huge cast plays mainly historical persons who appear briefly.
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6.8
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Royal Affairs in Versailles

1954

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The Fiancés of Macdonald Bridge

A subtitle warns, "beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the Seine. He dons sunglasses and waves as she runs down a stairway to the river's edge, then watches in horror as she's knocked flat and loaded into the back of a hearse. In vain, he gives chase. Disconsolate, he buys a large funeral wreath and a handkerchief from sympathetic vendors. He removes the glasses to wipe his eyes and realizes they are the cause of all his woe. He replays the farewell without the glasses.
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6.4
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The Fiancés of Macdonald Bridge

1961

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The Crook

A thief known as Simon the Swiss faces up and downs in his criminal profession.
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We Will All Meet in Paradise

Having fortuitously discovered a photograph in which Marthe embraces someone unknown, Étienne Dorsay becomes jealous and imagines various stratagems to identify the lover. In the meantime, he and his friends acquire a weekend house for a very low price.
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6.8
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We Will All Meet in Paradise

1977

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House of Ricordi

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.
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6.2
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House of Ricordi

1954

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No Exit

The scene is a tawdry hotel room in Limbo, where several damned souls are gathered. At first, the group fails to comprehend where they are or why they're there. When the horrible truth dawns upon them, they carp and snipe at one another, blaming everyone but themselves for their dismal fate.
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Deadlier Than the Male

In Les Halles, in the heart of Paris, the restaurateur André Chatelin, leads an uneventful life until the arrival from Marseille of Catherine, the daughter of his ex-wife Gabrielle. She tells him her mother is dead and that she is without resources. Chatelin welcomes her under his roof - then marries her. Gérard, a young student that Chatelin looks upon as a son, becomes Catherine's lover, and she sets him at odds with Chatelin. She asks him to kill the restaurateur. He refuses. She kills him. Having discovered that Gabrielle is still alive, declined and drug addicted, Chatelin realises the darkness of Catherine's soul who has always lied to him.
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7.1
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Deadlier Than the Male

1956

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