Actor: Tasuku Nagaoka

Wet Woman in the Wind

Dissipated Tokyo playwright, Kosuke has retreated to the countryside after deciding that he's done with women, but the indefatigable cat-in-heat Shiori has other ideas, clinging to Kosuke like his shadow.

Why Don't You Play in Hell?

In Japan, gonzo filmmakers hatch a three-pronged plan to save an actress's career, end a yakuza war and make a hit movie.

Love Exposure

The story of a teenage boy named Yu, who falls for Yoko, a girl he runs into while working as an "up-skirt" photographer in an offshoot of the porn industry. His attempts to woo her are complicated by a spot of cross-dressing – which convinces Yoko that she is lesbian – dalliances with kung-fu and crime, and a constant struggle with the guilt that's a legacy of his Catholic upbringing.

The Temptation Came at Stormy Night

Romantic fantasy about the ruckus that ensues after a mother and daughter switch bodies. Director Imaoka Shinji wrote the script for The Drudgery Train and has worked on numerous erotic films. Housewife Suda Sawako (Takaki Mio) is dissatisfied with her husband Kenzo (Haruta Junichi). Meanwhile, her daughter Yasuko (Ishikawa Yumi) is going out with Kitamura Mitsuru (Nagaoka Tasuku), a struggling musician. When Sawako visits Yasuko's apartment one day, her built-up frustrations explode and she gets into a physical altercation with her daughter.

Sekigahara

The background to and depiction of a watershed battle in Japanese history, at Sekigahara in 1600, when Tokugawa Ieyasu's Army of the East defeated the Army of the West of Ishida Mitsunari. The story includes the intrigues and shifting loyalties of the various retainers, family members, and samurai.

Himizu

After two teenagers from abusive households befriend each other, their lives take a dark adventure into existentialism, despair, and human frailty.

Kids

Asato is a young man who returns to a slummy neighbourhood (referred to as 'The Street') to be near his Mum who is in prison. He is able to transfer other people's injuries and is unable to walk past a child with a grazed knee or broken arm without helping them. Asato is protected from street thugs by Takeo, another troubled young man who has issues involving his father who is lying in a coma in hospital. The third member of their group is a young waitress, Shiho, who has her own secret.

8000 Miles 2: Girls Rapper

With Saitama no rappa 2 (AKA 8000 Miles 2 – Girls Rapper), Yu Irie tells the story of amateur girl rappers who dream of a small big-time. The film opens with Saitama 1 B-boys, Ikku and Tom coming to town. They run into young Ayoma (Maho Yamada), inspiring her to gather her girlfriends and work up their rap routine.

Making of Love Exposure

Making of documentary for Sion Sono's magnum opus "Love Exposure".

NO CALL NO LIFE

Adapted from Kabei Yukako's novel of the same name. After being guided by a mysterious message from the past on a cellphone's answering machine, Umi encounters Mahiro, a delinquent at her school. They gradually come closer, but more messages appearing on the answering machine will unveil past secrets...

Humanoid Monster, Bem

Bem, Bela and Belo arrive at a new town plagued by a series of mysterious, unsolved cases which, as they discover, are caused by another youkai, one more powerful than they have ever encountered. The story will also focus on Belo's first love, and his increasing desire to become human. In the meantime, Bem and Bela have found a way to become human, but are conflicted about whether to let just Belo turn human, or along with Belo, become humans themselves.

11.25 The Day He Chose His Own Fate

On November 25th 1970, a man committed ritual suicide inside the Tokyo headquarters of the Japanese Ministry of Defence, leaving behind a legacy of masterpieces and a controversy that echoes to this day. The man was Yukio Mishima, one of Japan's greatest and most celebrated novelists. With four members of his own private army - the Tatenokai - Mishima had taken the commandant hostage and called upon the assembled military outside the Ministry to overthrow their society and restore the powers of the Emperor. When the soldiers mocked and jeered Mishima, he cut short his speech and withdrew to the commandant's office where he committed seppuku - the samurai warrior's death - tearing open his belly with a ceremonial knife before being beheaded by one of his colleagues. What was Mishima truly trying to express through his actions? And what did he witness during his final moments?