Actor: Luís Miguel Cintra

foto attore
Birthday: 1949-04-29
Born in: Madrid, Spain
Biography: An iconic actor and stage director in Portugal, Luís Miguel Cintra was born in Madrid, in 1949. His connection to theater began in 1968, at the Faculty of Letters Theater Group, when he was studying Romance Philology at the University of Lisbon. From 1970 to 1972, he attended the Acting Technical Course, in the Bristol Old Vic Theatre School, thanks to a scholarship from the Calouste Gulbenkian Foundation. When he returned to Portugal, he founded, along with Jorge Silva Melo, the Teatro da Cornucópia Company, in 1973, where he directed plays by some of the great names in theater, including Aeschylus, Sophocles, Shakespeare, Brecht, Beckett, Strindberg, and many others, almost always participating as an actor in the plays he directed. At the same time, until the 80s, he was a theater critic for O Tempo e o Modo magazine and he managed the Seara Nova Theater Collection, from Estampa publishing house, and the Theater Collection, from Ulmeiro publishing house. As a reader, Luís Miguel Cintra recorded complete readings of Viagens na Minha Terra, by Almeida Garrett and Amor de Perdição, by Camilo Castelo Branco, as well as poems by Pessoa, Sophia de Mello Breyner, Camões, Antero de Quental and Ruy Belo. In 1987, Cintra made his debut as an opera stage director, with L'Enfant et les Sortilèges, by Ravel and Dido and Aeneas, by Purcell, at the Teatro Nacional de S. Carlos. In the following years, he directed operas by Mozart, Haydn, Cherubini, among others. He worked with the Teatro Nacional de S. Carlos Choir and the Gulbenkian Choir, as a reader, in recitals by authors such as Schubert, Liszt, Sati and Poulenc. In 1984, he entered the Venice Biennial Theater Festival with his group and in 1988 he directed the show La Mort du Prince et Autres Fragments, by Fernando Pessoa, for the Avignon Festival. Later, he kept on presenting plays in Italy, France, Spain and. Belgium In addition to the theater, Luís Miguel Cintra began his career in cinema early, making his debut in a short film by João César Monteiro. From that point until now, he worked in over 70 films, with directors like the aforementioned João César Monteiro, Paulo Rocha, Manoel de Oliveira, Joaquim Pinto, João Botelho, Teresa Villaverde, Pedro Costa and the American John Malkovich. His many awards include two Bordalo da Casa da Imprensa Awards for Best Acting in Film (1995) and Best Acting in Theater (1997), two Globos de Ouro for Theater Personality of the Year (1999) and Best Theater Actor (2003), the Coimbra University Award and the Pessoa Prize, both in 2005. The LEFFEST will pay tribute to Luís Miguel Cintra’s work as an actor, through a selection of films he starred in; and as a stage director, showing recordings of some of the plays, followed by discussions with the audience and several actors he worked with.

Known for

The Convent

The journey of Michael Padovic, an American professor who arrives with his wife, Helene, at a Portuguese convent where he expects to find the documents needed to prove his theory: Shakespeare was born in Spain; not in England.
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5.4
The+Convent
The Convent

1995

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April Captains

Story of the 1974 coup that overthrew the right-wing Portuguese dictatorship--which continued the fascist policies of long-time dictator Antonio Salazar--and of two young army captains who were involved in it.
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6.5
April+Captains
April Captains

2000

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The Cannibals

This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger, and the wedding guests and family indulge in cannibalism, among other perversions.
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6.8
The+Cannibals
The Cannibals

1988

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Silvestre

A bewitching combinatory adaptation of the Bluebeard tale and a 15th century Portuguese fable of a damsel who disguises herself as a knight errant.
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6.1
Silvestre
The Dancer Upstairs

A police detective in a South American country is dedicated to hunting down a revolutionary guerilla leader.
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6.1
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The Dancer Upstairs

2002

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The Strange Case of Angelica

A photographer, Isaac is asked by hotel owners to take portraits of their recently deceased daughter Angélica. When he looks at her through the lens of his camera, she appears to come back to life just for him. He instantly falls in love with her. From that moment, he will be haunted by Angélica day and night.
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6.6
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The Strange Case of Angelica

2010

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Abraham's Valley

Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. In her youth she marries Dr. Carlos Paiva, her father's friend, to whom she is not attracted. They move to the valley of Abraham. Carlos loves her, but decides to sleep in a separate room to avoid waking Ema when he has to return late at night. As time goes by she begins to feel unhappy about her marriage, so she finds a new lover.
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7.5
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Abraham's Valley

1993

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Blood

Nino, tough but sickly, and his older brother Vicente live in the country with their father. After their father disappears ― we’re never sure why ― murder is suggested. Vicente brings his girlfriend to the house, and a different kind of family is established as the three youngsters grow fiercely protective of each other. But their uncle grows suspicious about the fate of the missing father and forcibly kidnaps Nino, taking him away to the city and leaving Vicente to locate him there.
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6.8
Blood
Recollections of the Yellow House

Lisbon, 1989. A middle-aged poor man, tormented by an illness, lives in a cheap room in a family boarding house, in the old section of the city's waterfront.
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8.3
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Recollections of the Yellow House

1989

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